Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for volume 64 is 'Shakespeare as Cultural Catalyst'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Table of Contents
1. The commercial bard: business models for the 21st century Kathleen McLuskie; 2. International innovation? Shakespeare as intercultural catalyst Emily Linnemann; 3. Brand Shakespeare? Kate Rumbold; 4. Global Shakespeare 2.0 and the task of the performance archive Alex Huang; 5. An international database of Shakespeare on film, television and radio Olwen Terris; 6. 'Sounds and sweet airs': music in Shakespearean performance history David Lindley; 7. Using Shakespeare with memes, remixes, and fanfic Fran Teague; 8. 'Pretty much how the internet works', or, aiding and abetting the deprofessionalization of Shakespeare studies Sharon O'Dair; 9. Catalyzing what?: Remediation, history, and what of Love's Labour's lasts Diana Henderson; 10. Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a cultural catalyst Shoichiro Kawai; 11. The Sonnets as an open-source initiative Julie Sanders; 12. 'A stage of the mind': Hamlet on post-war British radio Susanne Greenhalgh; 13. Post-textual Shakespeare Douglas M. Lanier; 14. I am what I am not: identifying with the Other in Othello Stephen Cohen; 15. Desdemona's book, lost and found Roshni Mooneeram; 16. Non-catalyst and marginal Shakespeares in the nineteenth-century revival of Catalan-speaking cultures Jesús Tronch-Pérez; 17. Shakespeare, Mácha and Czech romantic historicism Martin Procházka; 18. An Irish catalysis: W. B. Yeats and the uses of Shakespeare Andrew Murphy; 19. François-Victor Hugo and the limits of cultural catalysis Ruth Morse; 20. 'You taught me language': Shakespeare in India Poonam Trivedi; 21. There is some soul of good: an action-centred approach to teaching Shakespeare in schools Jonothan Neelands and Jacqui O'Hanlon; 22. The Royal Shakespeare Company as 'cultural chemist' Sarah Olive; 23. Shakespeare at the white greyhound Adam Hooks; 24. Dark matter: Shakespeare's foul dens and forests Charlotte Scott; 25. What we hear, what we see: theatre for a new audience's 2009 Hamlet Bernice W. Kliman; 26. Narrative of negativity: Whig historiography and the spectre of King James in Measure for Measure Kevin Quarmby; 27. Québécois Shakespeare goes global: Robert Lepage's Coriolan Robert Ormsby; 28. Endless mornings on endless faces: Shakespeare and Philip Larkin Peter Holbrook; 29. Shakespeare performances in England 2010 Carol Chillington Rutter; 30. Professional Shakespeare productions in the British Isles, January–December 2009 James Shaw; 31. The year's contribution to Shakespeare studies: a. Critical studies reviewed by Julie Sanders; b. Shakespeare in performance reviewed by Pascale Aebischer; c. Editions and textual studies reviewed by Eric Rasmussen.
