Description
"I’m good Hamlet gi’me a cause for grief"
At first glance, readers of The Hamletmachine (1979) could be forgiven for wondering whether it is actually a play at all: it opens with a montage of texts that are not ascribed to a character, there is no vestige of a plot, and the whole piece lasts a total of ten pages.
Yet, Heiner Müller’s play regularly features in theatres’ repertoires and is frequently staged by university theatre departments. In four short chapters, David Barnett unpicks the complexities of The Hamletmachine’s writing and frames its author as an experimental, politically committed writer who confronts the shortcomings of his age. In considering the problems Müller poses for the play’s performance, he also discusses two exemplary productions in order to show how the work can engage very different audiences.
This book examines why such a compact, radically open, and yet seemingly obscure play has proved so popular.
Table of Contents
Introduction 1. Surveying the Scenes 2. A History of Western Civilisation in Ten Pages 3. Open Sesame? 4. Staging The Hamletmachine Conclusion
-
- 電子書籍
- とらわれた乙女 2【分冊】 2巻 ハー…
-
- 電子書籍
- 金田一少年の事件簿R(14)
-
- 電子書籍
- わが人生の時の会話 幻冬舎文庫
-
- 電子書籍
- Fate/stay night(17)…
-
- 電子書籍
- 名門!第三野球部(26) 飛翔編



