実例に学ぶ建築家のためのドローイング(第2版)<br>Drawing : The Motive Force of Architecture(2)

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実例に学ぶ建築家のためのドローイング(第2版)
Drawing : The Motive Force of Architecture(2)

  • 著者名:Cook, Peter
  • 価格 ¥6,486 (本体¥5,897)
  • Wiley(2014/05/28発売)
  • 新生活を応援!Kinoppy 電子書籍・電子洋書 全点ポイント25倍キャンペーン(~4/5)
  • ポイント 1,450pt (実際に付与されるポイントはご注文内容確認画面でご確認下さい)
  • 言語:ENG
  • ISBN:9781118700648
  • eISBN:9781118700594

ファイル: /

Description

Drawing
The Motive Force of Architecture

Focusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook’s delight and his wide-ranging, catholic tastes for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, William Heath Robinson, Le Corbusier and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group.

For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which ‘hand drawing’ and the ‘digital’ are being eclipsed by new hybrids – injecting drawing with a fresh momentum. These ‘crossovers’ provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position or a single referential language. Featuring the likes of Toyo Ito, Perry Kulper, Izaskun Chinchilla, Kenny Kinugasa-Tsui, Ali Rahim, John Berglund and Lorène Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Maya® drawing is creatively contributing something different from a Rhinoceros® drawing, there is much to demand of future techniques.

Table of Contents

Introduction 008

Chapter 1: Drawing and Motive 010

Chapter 2: Drawing and Strategy 029

Chapter 3: Drawing and Vision 055

Chapter 4: Drawing and Image 074

Chapter 5: Drawing and Composition 092

Chapter 6: Drawing with Expression and Atmosphere 111

Chapter 7: Drawing and Technics 135

Chapter 8: Drawing and Surface 154

Chapter 9: Beyond Drawing – Beyond Reality 177

Chapter 10: Digital–Manual Drawing and the Power of the Eye 203

Index 241

Picture Credits 247

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