Description
Although music is known to be part of the great social movements that have rocked the world, its specific contribution to political struggle has rarely been closely analyzed. Is it truly the 'lifeblood' of movements, as some have declared, or merely the entertainment between the speeches? Drawing on interviews, case studies and musical and lyrical analysis, Rosenthal and Flacks offer a brilliant analysis and a wide-ranging look at the use of music in movements, in the US and elsewhere, over the past hundred years. From their interviews, the voices of Pete Seeger, Ani DiFranco, Tom Morello, Holly Near, and many others enliven this highly readable book.
Table of Contents
Part I An Introduction to the Music-Movement Link; Chapter 1 You Can’t Scare Me, I’m Sticking to the Union; Part II The Meanings of Music; Chapter 2 Aretha Franklin Sings to Charlie Manson; Chapter 3 Context; Chapter 4 The Audience and Reception; Chapter 5 The Meanings of Music; Part III The Functions of Musicking for Social Movements; Chapter 6 Serving the Committed; Chapter 7 Education; Chapter 8 Conversion and Recruitment; Chapter 9 Mobilization; Chapter 10 How Musicking Harms Movements; Chapter 11 What Makes a Difference?; Chapter 12 What Is to Be Sung (or Played)?;
