Description
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Table of Contents
Part 1 The Gothic Stage; Introduction – The Transforming Muses: Theorizing Stage Appropriation, Francesca Saggini; Chapter 1 A Stage of Tears and Terror: Introducing the Gothic Stage, Francesca Saggini; Chapter 2 Uncloseting the Gothic Monster, Francesca Saggini; Chapter 3 An Overview of Critical Responses to English Gothic theatre, Francesca Saggini; Chapter 4 A Chronology of Gothic Drama, Francesca Saggini; Chapter 5 The Gothic Drama: A Survey of Criticism, Francesca Saggini; Part 2 Performing Stage Appropriation in the Romantic Era: The Languages of the Stage and the Page; Chapter 6 An Evening At The Theatre: Performance, Intertheatricality, Infratheatricality, Francesca Saggini; Chapter 7 A Pathognomic Theatre: The Body of the Actor and Contemporary Theories of Acting, Francesca Saggini; Chapter 8 Intersemiotic Translation and Appropriation: An Exploration of Sound, Scenery, Lighting and Costume in Gothic Dramas and Novels, Francesca Saggini; Chapter 9 Surface Vs Depth: Staging The Signifiers of The Gothic, Francesca Saggini; Part 3 Practising the Appropriation of the Gothic Stage: Romantic Case Studies; Chapter 10 ‘To Ears of Flesh and Blood’: Ann Radcliffe’s Stage Hauntings, Francesca Saggini; Chapter 11 Change, Transformation, Spectacle: The Monk and the Forms of Georgian Scenic Spectacle, Francesca Saggini; Chapter 12 On the Re-Mediation of Gothic Dramas: The Gothic Stage and The Gothic Trade, Francesca Saggini; Chapter 102 Afterword, Francesca Saggini;
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