The World before Racism : An Art Story

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The World before Racism : An Art Story

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  • 製本 Hardcover:ハードカバー版/ページ数 120 p.
  • 言語 ENG
  • 商品コード 9798987228272
  • DDC分類 701.03

Full Description

Utilizing works of art as a primary source, Lisa Farrington's research in The World Before Racism conclusively answers the questions: Who invented racism? When? And why?

The term racism is understood to mean that race is the principal determinant of specific human traits and capacities and that due to racial differences, one race is inherently superior to all others. Over time, racism has commonly referenced the notion that the White race is superior to all others, fostering prejudice and discrimination. In The World Before Racism: An Art Story, author and art historian Lisa Farrington meticulously examines the intersection of art, history, and race, using original works of art as primary source materials to support her premise that racism is a construct, invented in the mid-1700s, to support the financial, political, and religious structures of European colonialism.

Using art from ancient Egypt, classical Greece, and the Roman Empire, through Medieval Europe and the colonization of the New World, to the art of the present day—sources that cannot be easily altered, edited, or selectively translated—Farrington expertly examines the intricate interplay between the Black and White races, how they saw and understood each other over the centuries. The artworks serve as powerful voices, precisely conveying the artist's intended messages. The goal of The World Before Racism is to present irrefutable evidence that the ideology of racism is unfounded, unsupported, unjustified, and destined to fade away like so many other archaic and erroneous ideas.

Contents

Foreword
Erin Thompson, PhD

Introduction
Jack Flam, PhD

The World Before Racism: An Art Story
Lisa E. Farrington, PhD

Part One
Art as a Primary Source
The Ancient World

Part Two
The Middle Ages and the Moors
From Gothic to Renaissance: St. Maurice and Parzival

Part Three
European Ascendency: From Slavs to Slaves
Architects of Racism: Eighteenth and Nineteenth Centuries

Part Four: Epilogue
The Early Twentieth Century: The Harlem Renaissance
The Latter Twentieth Century: The Pan-African Black Arts Movement
The Twenty-first Century: Afrofuturism and Post-Black

Notes
Acknowledgements
Teaching Guide and Sample Syllabus
Bibliography
Index

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