Art and Its Significance : An Anthology of Aesthetic Theory (4TH)

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Art and Its Significance : An Anthology of Aesthetic Theory (4TH)

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 518 p.
  • 言語 ENG
  • 商品コード 9798855805475
  • DDC分類 111.85

Full Description

A topical, art-practice focused anthology that caters to diverse interests in aesthetics.

Art and Its Significance is a highly engaging and readable anthology, which ranges from ancient Greek writing on epic and theater to contemporary issues relating to how art is impacted by augmented reality technologies. This collection offers a firm foundation in classic and modern aesthetics by a diverse range of authors from Plato and Aristotle to Judith Butler, Jacques Rancière, and Mary Devereaux. Its thematic organization allows readers to focus on particular topics and genres and make connections between different approaches to a wide range of artistic expression. Each article is introduced with details on the author and a summary of the main arguments offered in the text. Additional section introductions help the reader to understanding how the grouped texts relate to one another. This anthology does not assume prior knowledge of philosophy or aesthetics and is well suited to college course use.

Contents

Editor's Introduction, Fourth Edition

I. Reality, Experience, and Theater

Section Introduction

1. Republic III (Steph. 386-402; c. 375 BCE)
Plato

2. Poetics 1-9 (Steph. 1447-1452; c. 350 BCE)
Aristotle

3. "Psychical Distance" as a Factor in Art and as an Aesthetic Principle (1912)
Edward Bullough

4. Modern Theater Is Epic Theater (1930)
Bertolt Brecht

5. Art as Experience (1934)
John Dewey

6. The Artworld (1964)
Arthur Danto

7. Augmented Reality and Theatre (2024)
E. B. Hunter

II. Music, Emotion, and Dance

Section Introduction

8. The Birth of Tragedy (1872)
Friedrich Nietzsche

9. What Is Art? (1898)
Leo Tolstoy

10. Night Music (1929)
Theodor Adorno

11. Feeling and Form (1953)
Susanne Langer

12. Experimental Music (1958)
John Cage

13. Four Criteria of Electronic Music (1971)
Karlheinz Stockhausen
14. The Politics of the Body: Pina Bausch's Tanztheater (1990)
David W. Price

III. Taste, Imagination, and Literature

Section Introduction

15. Of the Standard of Taste (1757)
David Hume

16. Critique of Judgement (1790)
Immanuel Kant

17. The Writer and Fantasizing (1908)
Sigmund Freud

18. A Room of One's Own (1929)
Virginia Woolf

19. Psychology and Literature (1930)
Carl Jung

20. Narrative Emotions: Beckett's Genealogy of Love (1988)
Martha Nussbaum

IV. History, Interpretation, and Painting

Section Introduction

21. Philosophy of Fine Art (1818-1829)
G. W. F. Hegel

22. On the Spiritual in Art (1912)
Wassily Kandinsky

23. Suprematism (1927)
Kasimir Malevich

24. Plastic Art and Pure Plastic Art (1936)
Piet Mondrian

25. Cézanne's Doubt (1945)
Maurice Merleau-Ponty

26. Seven Seals of Affirmation (1973)
Michel Foucault

27. Answering the Question: What Is Postmodernism? (1983)
Jean-François Lyotard

V. Politics, Power, and Film

Section Introduction

28. The Method of Making a Workers' Film (1925)
Sergei Eisenstein

29. Cult of Distraction: On Berlin Picture-Houses (1926)
Siegfried Kracauer

30. The Work of Art in the Age of Its Technological Reproducibility (1936)
Walter Benjamin

31. The Aesthetic Dimension (1977)
Herbert Marcuse

32. Beauty and Evil: The Case of Leni Riefenstahl's Triumph of the Will (1998)
Mary Devereaux

33. The Pensive Image (2008)
Jacques Rancière

VI. Gender, Difference, and Photography

Section Introduction

34. Brief Historical Sketch of the Invention of the Art (1844)
Henry Fox Talbot

35. The Future of Photographic Technique (1927)
László Moholy-Nagy

36. Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine" (1974)
Luce Irigaray

37. In Plato's Cave (1977)
Susan Sontag

38. Camera Lucida: Reflections on Photography (1980)
Roland Barthes

39. Torture and the Ethics of Photography (2007)
Judith Butler

40. The Coming of Age: Cindy Sherman, Feminism, and Art History (2014)
Abigail Solomon-Godeau

VII. Culture, Collecting, and Architecture

Section Introduction

41. The Lamp of Memory (1849)
John Ruskin

42. Towards a New Architecture (1923)
Le Corbusier

43. Learning from Las Vegas (1972)
Robert Venturi, Denise Scott Brown, and Steven Izenour

44. The Invention of Africa (1988)
V. Y. Mudimbe

45. On Collecting Art and Culture (1988)
James Clifford

46. Letter to Peter Eisenman (1990)
Jacques Derrida

47. Rethinking Historiography and Ethnography: Surrealism's Intellectual Legacy (2017) Natalya Lusty

48. Embodied and Existential Wisdom in Architecture: The Thinking Hand (2017)
Juhani Pallasmaa

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