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Full Description
This book argues for the role of curators as knowledge-makers across a number of fields. While the focus is on multidisciplinary curators, particularly those who work with combinations of science, technology, and art, it also points toward the history of curation to tease out the ways that multidisciplinary work has always been part of the collector's, and later, the curator's role, functionally integrating curatorial and interdisciplinary studies. This novel application of Arts Sciences Technology Studies (ASTS) ideas to curatorial studies is timely because it reaches beyond the analysis of the use of images by scientists or the ways art may be employed to improve the public understanding of science to offer a much-needed explanation of how actors position their work as art or science, considering the persistence of overlapping practices used in both communities. By providing an interdisciplinary look at curatorial practice in the context of the STS idea of knowledge-making, this book will be singular in the field.
What Curators Know will appeal to scholars of STS, the history of art, the history of science, museology, and visual culture as well as museum professionals, curators, and policymakers. The book engages literature in the contemporary arts, digital culture, computing history, medical humanities, media arts, museum studies, natural history, and political and public art. Practitioners working in curatorial or curatorial-adjacent professions, as well as administrators with art and science interests, will also find the text useful.
Contents
Preface
Foreword: Eating Vegan Ortolan with Bruno Latour
Michael John Gorman
Acknowledgements
Introduction: What do curators know?
Hannah Star Rogers
Chapter 1: ANT (Actor-Network-Theory) as curatorial method: An STS framework for trans-disciplinary curation
Kristin D. Hussey
Chapter 2: Engaged Curatorial Practice as STS-oriented Mode of Inquiry
Bilge Hasdemir
Chapter 3: Beyond the Display: Why Minor Gestures Matter in Curating Research Exhibitions Anne Julie Arnfred
Chapter 4: STS and Curating: Boundary Objects and Sociotechnical Imaginaries as Guiding Concepts in Art Exhibitions
Rodrigo Guzman-Serrano
Chapter 5: Curating Media as Scientific Objects
Geoffrey Belknap and Georgina Grant
Chapter 6: STS in Practice at the Computer History Museum
Hansen Hsu
Chapter 7: The Missing Museum: Curating the PostNatural Blindspot
Rich Pell and Gil Olivera
Chapter 8: Curating Hinterland. Reassembling Invisible Work in Art / Science Practices
Morten Søndergaard
Chapter 9: Curating health complexity at Medical Museion: The exhibition as medium and process for sharing an STS sensibility
Louise Whiteley and Adam Bencard
Chapter 10: Curating "from an STS perspective": Co-creator, counter-expert, and collider
Makoto Takahashi
Chapter 11: Curating for Controversy: Crearation, Overidentification, Objektinstruments and Pop Sloganeering as art-based strategies for Critical Controversy Studies
Sophia Efstathiou and Alexandra Murray-Leslie
Chapter 12: Life Eternal: A case of the importance of trusting museum visitors
Clara Åhlvik
Chapter 13: "Curating AI" or how to exhibit a controversy
Chris Salter
Index
About the Editor
About the Authors
