Full Description
Double Stopping traces the migration of celebrity violinists to and from Australia to investigate routes of contact between metropoles and peripheries, and the impact of world wars and political instability on patterns of musical migration.
Mobility and migration were integral to the careers of twentieth-century concert artists. Double Stopping explores how the increasing speed of travel and communication, the development of new media and the rise of celebrity culture enabled outstanding musicians to construct a global career.
Documenting movement through and between Belgium, Britain, Germany, Hungary, Poland, Russia and emerging hubs in Australia, New Zealand and the United States, this book explores aspects of musical migrant culture including the influence of teachers who were themselves migrants, the role of arts organizations in promoting (or hampering) the careers of immigrant musicians, the impact of the explicitly racist 'White Australia' policy on immigrant artists whose mission was to propagate whiteness and cultural elitism, the obstacles faced by women as aspiring soloists as well as immigrants, and the ways that migration re-oriented or re-shaped career trajectories. It argues that an approach to the history of music performance through the lens of migration can bring into view lives that have been obscured because they crossed borders and transgressed boundaries.
With reference to migration studies, empire studies, postcolonialist theory, celebrity studies and studies of violinists and violin culture, Double Stopping interweaves life stories and migration history to explore the interconnectedness of migration and music-making in an era of modernization and globalization.
Contents
List of Illustrations
List of Contributors
List of Abbreviations
Acknowledgements
Foreword by William Hennessy AM
Introduction
Part I: Leaving Australia
1: For love of the violin: The travels, tribulations and triumphs of Johann Kruse
Johanna Selleck, University of Melbourne, Australia
2: Alma Moodie: A tragic story of a true violin heroine
Tatjana Goldberg, City, University of London; Middlesex University; Purcell School, UK
3: Miss Daisy Kennedy: 'Of her sex without a doubt the foremost living violinist'
Laura Case, Sydney Conservatorium of Music, Australia
4: Dorcas McClean: An Australian violinist in the British World
Suzanne Robinson, University of Melbourne, Australia
5: Ernest Llewellyn: Australia's leading violinist
Suzanne Robinson, University of Melbourne, Australia
6: Beryl Kimber OBE: Dynamic performer and pedagogue
Elizabeth Layton, University of Adelaide, Australia
Part II: Arriving in Australia
7: Adventurer of consciousness: The violinist Henri Verbrugghen
Goetz Richter, Sydney University's Conservatorium of Music, Australia
8: Tossy Spivakovsky in exile: The Australian years
Curt Thompson, Melbourne Conservatorium of Music, Australia
9: Richard Goldner: A Viennese violinist in mid-century Sydney
Julia Russoniello, University of Sydney, Australia
10: 'Tones of gently cradled eloquence': Robert Pikler, a Hungarian violinist in Australia
Curt Thompson, Melbourne Conservatorium of Music, Australia
11: From the crossroads of two tyrannies: Nathan Gutman, violinist and educator
Elizabeth Sellars, Flinders Quartet, Australia
Bibliography
Index
