Full Description
Bringing together leading experts in the field of gender and popular music, this collection emphasizes the ways we can shape our personal understandings of what gender is or could be in the music industry.
Popular music contains multiple sites of exploration of masculinity, femininity and combinations of these. At the same time, however, the popular music industries remain sites of gender inequality, with men dominating power structures, maintaining 'boys' clubs' that lock women and gender diverse folks out of music spaces and networks, and police access to genres and instruments. At worst, music can be dangerous for those involved due to gender-based violence. These problems in turn lead to new types of creativity and solidarity as people search for solutions and a more egalitarian music experience. This handbook presents a multi-faceted exploration of how gender shapes our musical experiences, whether as audiences, artists or music industry workers, taking an intersectional approach that incorporates perspectives from different sites, genres and subject positions within music making.
Contents
List of figures and tables
Contributors
Acknowledgements
Researching Music and Gender under Capitalist, Patriarchal, and (Neo)Colonial Power
Catherine Strong, Sarah Raine, Tami Gadir, and Sharon Kong-Perring
Part 1: Histories
1. Filipino 'Jazzmasculinity' in Manila's Mainstream Press, 1955-1973
Krina Cayabyab
2. Dig Them Out: Women in Rock Memoirs as Archive
Christine Feldman-Barrett
3. Black Queer Women Artists and the Shapes, Textures and Boundaries of R&B Music
Elizabeth Falade
4. Feminisms and the Popular Music Industry from the 2000s
Ann Werner
5. Looking for the 'Gang of Trannies': Trans History of Punk and the Problem with Recovery
Jay Szpilka
Part 2: Hearing and Seeing Gender
6. Touch - Tuning into Gender Dynamics of Performance Spaces
Tina Krekles
7. Musical Worldbuilding in Drag: Trans-Coded 'Spliced Collage' and Audience Co-Creation
Sarah E. Cooper
8. 'I'm Not That Interested in Gear': Passive Disinterest Toward Music Technologies Among Women and Gender-Diverse Instrumentalists
Jeri Karmelic
9. Welcome to the Queendom: New Gen Feminism and Blackness in Vinida's 'Queendom'
Tiara Wilson
10. Queer Futures on Stage: Chappell Roan and the Power of Performance Aesthetics
Deanne Kearney
11. 'Growth' versus 'Real Abilities': Nationalized Discourses, Fan Surveillance, and Live Controversies of Japanese K-Pop Girl-Group Members
Mayako Shibagaki Liu
Part 3: Politics and Policies
12. Cultural Work, Music and Gender
Rosa Reitsamer
13. Addressing Gender-Based Violence and Harassment Within Music Higher Education
Anna Bull
14. Navigating Gender Dynamics in China's Popular Music Education
Wai Chung Ho
15. Rewiring the Infrastructure of the Danish Music Industry: Affects, Gender and Processes of Transformation
Kristine Ringsanger
16. Making Change from Outside the Industry: Salome MC
G.J. Breyley, with Salome MC
17. Supernova Hasbara: Psytrance Propaganda and Imperialist Feminism in a Time of Genocide
Tami Gadir
18. 'Why Did You Separate Me from the Earth?': On the Meaning of Climate Justice, Gender and Pop Music
Mathew Klotz
Part 4: Engaging with place and space
19. Working With the Crew: Reflections on Integrating Participatory and Co-Creative Methods into Queer Nightlife Studies
Maria A. G. Witek and Luis Manuel Garcia-Mispireta
20. Gendered Points in Mapping the Music of Migration
Abigail Gardner
21. 'Super Shy' Girl Groups and Male Intrusion: An Autoethnographic Reflection on Gender and the Female Body in K-Pop Fieldwork and Industry Through Self Data
Sharon Kong-Perring
22. Mateship, Misogyny and Men Still Making a Scene: Gender Inequalities in the Australian Band Scene
Freya Linke-Langley
23. Localised Understandings of Gender and Queerness in the K-Pop Fandom(s): BTS' United Nations Speech as a Case Study
Mathieu Berbiguier
24. Lip-Synching Freedom: Drag, Gender Identity and the Politics of Performance within the Creative Industries of Postsocialist Serbia
Andrija Filipovic
Part 5: Interventions
25. Commodifying the 'Sad Girl': Fantagonism, Parasociality and Social Media Dehumanisation of Female Singer-Songwriters
Jenessa N. Williams
26. Moving Beyond 'Freedom' Through Improvisation: A Feminist Reframing of Inclusive Improvised Music Making
Sarah Raine
27. Interventions on Gender Inequality in the Dutch Popular Music Industries
Britt Swartjes
28. What Happened After Their Voices were Raised: Assessing Industry Action on Gender Inequality and Safety in Australian Music
Catherine Strong and Bianca Fileborn
29. Conventions of Concealment: Deterritorializing Disabled Musicianship
Jasmine Hazel Shadrack
30. Parenting and Music Careers
Shelley Brunt and Liz Guiffre
31. 'It comes From a Place of Caring and Passion': Gender Equality Activism and Initiatives in Australian Music Scenes, 2015-2020
Hannah Fairlamb
'Music is Never Stopping': An Interview with Sally Anne Gross
Sally Anne Gross and Catherine Strong
Index
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- 洋書電子書籍
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人種と精神療法の概念
The C…
