The Bildungsroman in a Genocidal Age

Curthoys, Ned

Bloomsbury Academic USA（2025/08発売）

• 製本 Paperback:紙装版/ペーパーバック版／ページ数 168 p.
• 言語 ENG
• 商品コード 9798765103883
• DDC分類 809.39354

Full Description

The Bildungsroman in a Genocidal Age argues that the humanist ideal of Bildung, the cultivation of the potentialities of the self through self-reflection, travel, and varied social intercourse, has been revitalized in an age of genocidal violence. It examines the Bildungsroman as a flourishing intermedial genre encompassing contemporary historical fiction, historical feature films, and children's and YA literature. Analysing a number of highly influential novels and films about the Holocaust and World War II (WWII), the book argues that the narrative strategies of the Bildungsroman, which includes a swerve away from 'home' and its parochialism and moral certainties, has contributed to shaping audience perceptions of traumatic histories and their ethical implications in the twenty-first century.

The Bildungsroman in a Genocidal Age examines some of the most keenly discussed, and controversial historical fictions of recent decades including The Remains of the Day (1989), The Kindly Ones (2006, English trans. 2009), The Boy in the Striped Pyjamas (2006), and Margarethe von Trotta's biopic Hannah Arendt (2012). It argues that in portraying a protagonist who defers or refuses a prescribed social destiny, these novels and films are sensitive to the 'Eichmann problematic' of the 'banality of evil' as formulated by Hannah Arendt. These Bildungsromane, the study suggests, are designed to address the problem of the social reproduction of normative, unimaginative, and conformist mindsets that can enable totalitarian politics and genocidal policies.

Contents

Acknowledgments

1. Memory as reinvention in Kazuo Ishiguro's The Remains of the Day
2. Visionary disenchantment: Accessing second sight in The Kindly Ones
3. An exemplary Bildungsheld: Bringing diaspora home in Daniel Stein Interpreter
4. Unofficial education and the promotion of active readership in two Holocaust themed novels for children: Hitler's Daughter and The Boy in the Striped Pyjamas
5. The Counterfeiters as Bildungsfilm: Allegorizing Jewish history
6. A protagonist for dark times: Repurposing memory and the future of civil courage in Margarethe von Trotta's biopic Hannah Arendt
Conclusion

Notes
Bibliography
Index