Jig from St. Paul's Suite, op. 29, 5 Saxophone, Partitur und Stimmen : from St. Paul's Suite, op. 29. 5 Saxophone (SAATBar). Partitur und Stimmen. / Jig/ Bearbeitung:Loritz, Albert/Komposition:Holst, Gustav

Jig from St. Paul's Suite, op. 29, 5 Saxophone, Partitur und Stimmen : from St. Paul's Suite, op. 29. 5 Saxophone (SAATBar). Partitur und Stimmen. （2012. 40 S. Noten. 303 mm）

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Jig from St. Paul's Suite, op. 29, 5 Saxophone, Partitur und Stimmen : from St. Paul's Suite, op. 29. 5 Saxophone (SAATBar). Partitur und Stimmen. （2012. 40 S. Noten. 303 mm）

Jig/ Bearbeitung:Loritz, Albert/Komposition:Holst, Gustav

ウェブストア価格 ¥6,061（本体¥5,510）
SCHOTT MUSIC, MAINZ; ADVANCE MUSIC（2012発売）
外貨定価 EUR 24.50
ポイント 55pt

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商品コード 9790206308888

Description

(Short description)
This lively dance is the first of four movements from Holst's suite. This arrangement has been transposed down a whole step from the original to make it more accessible to saxophone performers.Besetzung:5 Saxophone (SAATBar)
(Text)
Die vorliegende Bearbeitung formt den Streichersatz in einen fünfstimmigen Saxophonsatz um, wobei die Merkmale des folkloristisch anmutenden Streichersatzes so getreu wie möglich in die neue Klangfarbe übertragen werden. Durch die Transposition um einen Ganzton nach unten entsteht zunächst eine für Saxophone sehr günstige Tonlage.Schwierigkeitsgrad: 3-4
(Short description)
This lively dance is the first of four movements from Holst's suite. This arrangement has been transposed down a whole step from the original to make it more accessible to saxophone performers.Besetzung:5 saxophones (SAATBar)
(Text)
The Jig is the first of the four movements of the "St Paul's Suite" (op.29, No. 2) written by the British composer Gustav Holst in 1912. Holst composed this work for the string orchestra of the St Paul's Girls' School in Hammersmith where he had already been holding the position of Director of Music for seven years. The suite premiered in 1913. This vibrant and vivacious piece immediately captivates the listener. The folcloristic character of the theme and the playful use of the motivic material turn the Jig into a truly "catchy tune". Even meter and harmony both hold a whole series of charming little surprises. The original version of the composition is characterized by an exquisite setting for string orchestra, which draws the rich and mellow quality of its overall sound especially from those many double stops - mostly played as drones on open strings. Holst's composition starts from the key of D dorian and finally ends in C mixolydian. The arrangement on hand converts the string setting into a five-part saxophone setting, translating the characteristic features of the original's folcloristic style as best as possible to the new tone color. By transposing the piece one whole-tone down, the arrangement starts in a register which is very comfortable for saxophones to play in. The piece, however, would end up in a key and/or register in the last part (measure 170 of the original version), which could not be mastered by the saxophone instrumentation chosen for this arrangement. Therefore, the five-bar modulation leading from measure 165 to measure 169 in the original composition has been extended - true to Holst's style - by two more bars (up to measure 171). This way, the Jig in its arrangement for saxophone quintet now starts in C dorian but finishes in G mixolydian.Instrumentation:5 saxophones (SAATBar)