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Description
Robert Schumann was fascinated by the violin virtuoso Nicolò Paganini, as were many composers of the time. When he was planning a piano tutor in 1832/33 that was to include his own works as well as those by others, Schumann took a close look at Paganini's virtuosic Caprices for violin.
Schumann's own Caprices op. 3 were composed in this spirit, based very closely on Paganini's original and following their educational intention. Opus 10, on the other hand, deals more freely with the model and is designed more with an effective performance in mind. Our Urtext edition of all of the Paganini Studies is supplemented by the composer's extensive explanation on their execution, which he placed at the beginning of his Opus 3._ Paganini-Studies op. 3Caprice op. 3,1Caprice op. 3,2Caprice op. 3,3Caprice op. 3,4Caprice op. 3,5Caprice op. 3,6Paganini-Studies op. 10Etude op. 10,1Etude op. 10,2Etude op. 10,3Etude op. 10,4Etude op. 10,5Etude op. 10,6 Robert Schumann, 1810 - 1856, nahm in Leipzig Klavierunterricht bei Friedrich Wieck, dem Vater seiner späteren Frau Clara. Er begann zunächst ein Jurastudium, ab 1830 widmete er sich ausschließlich der Musik. Als Komponist und Musikschriftsteller (er begründete die "Neue Zeitschrift für Musik") ist Schumann der vielleicht typischste Vertreter der deutschen Romantik. Er schrieb 4 Sinfonien, Liederzyklen, große Vokalformen, Kammermusik und Klaviermusik, letztere z.T. auch für seine Kinder ("Album für die Jugend", 1848).
