Baskets : Masterpieces of Japanese Bamboo Art 1850-2015

Earle, Joe/ Stark, Bertrand (PHT)

Stark Studios Limited（2017/06発売）

Stark Studios Limited（2017/06発売）

• 製本 Hardcover:ハードカバー版／ページ数 752 p.
• 言語 ENG
• 商品コード 9789881375452

Full Description

These are exciting times for Japanese bamboo art. May 2017 saw the opening of Japan House Sao Paulo, whose inaugural exhibition 'Bamboo: The Material That Built Japan' drew over 300,000 visitors. From June 2017 to February 2018 the Metropolitan Museum of Art in New York mounted another bamboo show that was seen by about 400,000. From 27 November, the Musee du quai Branly in Paris will present the largest-ever exhibition on the subject. This authoritative catalogue of 323 works from the Naej Collection thus appears at a moment when a new global audience has emerged. The Naej Collection is especially strong in works by leading artists from 1850 to 1950, when great craft dynasties were established and first Osaka and then Tokyo emerged as major centres of artistic basketry. The catalogue breaks new ground by combining dramatic photography with precious documentary information drawn from signatures and inscriptions, making it not merely the visual record of a great collection but the essential reference work for a developing field of connoisseurship.
Text in English, Japanese and simplified Chinese.

Contents

Following an essay outlining the evolution of bamboo art in Japan and a small section introducing earlier Chinese baskets and Japanese baskets in Chinese style, the bulk of the catalogue is organized by artistic lineages, starting with the founding father Hayakawa Shokosai I (1815-1897) and his successors and moving on to the other great craft dynasties based in Osaka, including large sections devoted to the Yamamoto Chikuryosai, Tanabe Chikuunsai, and Maeda Chikubosai lines. From catalogue number 192 the focus moves to the Iizuka line in Tochigi Prefecture and Tokyo, with numerous works by Hosai II, Rokansai, and Shokansai. The story is then continued into the post-war period when artistic basketry came to be practised in many other parts of Japan and a new generation of masters emerged, supported by patrons in both Japan and the United States. Each of the fourteen sections of dramatic colour plates (in most cases with both general and detail images) is followed by a section printed on matt paper with photographs of all the signatures and box inscriptions and biographies of each artist. The catalogue concludes with a bibliography, glossary, and artist index.