Transnational Labour Migration and Musical Performance : Filipino Musicians in Australia (Migration, Diasporas and Citizenship)

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Transnational Labour Migration and Musical Performance : Filipino Musicians in Australia (Migration, Diasporas and Citizenship)

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  • 製本 Hardcover:ハードカバー版
  • 言語 ENG
  • 商品コード 9789819544561

Full Description

This book focuses on the liminality and experiences of Filipino migrant musicians in Australia in relation to their identities and positionalities as migrants, professionals, labour force, musicians, and members of the multicultural community. Over 40 interviews with Filipino musicians living in Australia connect phenomena and issues surrounding transnational labour migration and the performance of musicians from other migrant backgrounds. Scholars and students interested in cultural sociology, ethnomusicology, popular music studies, cultural studies, migration, diaspora studies and Southeast Asian studies gain insights from the compelling stories in both scope and nuance, which are applicable in a broader multicultural context and the transnational as well as local music industry. Deploying important concepts such as liminality and marginality, the book is interdisciplinary and offers fresh empirical, theoretical and methodological takes on transnational migration and migrant representation in the music industry. More importantly, it highlights the involvement of an underrepresented group in a vulnerable and undervalued profession, to increase participation of migrants in the Australian and global music industry.

Contents

1. Introduction: Researching Filipino Cover Music Performance and Migration.- Part 1: Transnational Migration and its Theoretical Underpinnings.- 2. Transnational Labour Migration and/of Filipino Musicians.- 3. Filipino Musicians in Australia: Labour Migration and Music.- Part 2: Musical and Cultural Practices.- 4. Musical and Socio-Cultural Negotiations of Filipino Identity.- 5. From 'Jamming-jamming lang' to Stage Gigs: Musical Practices and Transcultural Differences.- Part 3: Liminalities and Transculturality.- 6. Neither Here nor There: Liminalities and Precarity in the Australian Music Industry.- 7. Neither Here nor There, Still: Experiences of Microaggressions and Everyday Racism in Multicultural Australia.- 8. Conclusion: Re-Situating the Filipino Migrant Musician Experience.

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