Full Description
This book explores how certain early modern Italian portraits sought to directly engage the minds and memories of their viewers. Analyzing portraits made between the mid-Quattrocento and the mid-Cinquecento and by artists largely trained and working in the central and northern Italian peninsula, the case studies demonstrate how these artworks succeeded in preserving both the external appearances and the inner qualities of their sitters.
By examining specific portrait forms and compositional techniques, the book shows how certain portrait types that gained popularity during this period were influenced by contemporary understandings of communication, identity, brain science, and mnemonic practices. These portraits were not merely visual representations but were deeply rooted in the intellectual and cultural frameworks of their time. The book demonstrates that the impact of these portrait formats was twofold: they forged connections with viewers and incited said viewers to open their memory centers for mnemonic storage.
Taking an interdisciplinary approach to the subject of early modern Italian portraiture, this book will be of interest to researchers studying history, studio art, literature, gender and identity studies, the humanities, science, and psychology.
Contents
List of Illustrations
Acknowledgements
1. Introduction to the Early Modern Italian Portrait: Connecting and Remembering
Part I: Connecting
2. Dissecting the Early Modern Portrait: Science and Bodily Metaphor
3. Istoria of the Mind: The Albertian Interlocutor Teaches its Portrait Narrative
Part II: Remembering
4. Impressed in Wax: Sense Impressions, Portraits, and the Physicality of Memory
5. The Architectural Mnemonic: Founding and Constructing the Portrait's Memory House
6. Concluding Remarks
Bibliography
Index
