Full Description
After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humour in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in renaissance music, and Tinctoris's art of listening. A wide range of methodological perspectives is offered, including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music. The publication is both a Festschrift in which distinguished specialists honour an outstanding colleague, and a Liber Amicorum compiled for a dear friend.
Contents
CONTENTS
'Una cosa riuscita': Ignace Bossuyt's Academic Career
Mark Delaere & Pieter Bergé
List of Publications by Ignace Bossuyt
Humor in the Motets of Orlando di Lasso
Peter Bergquist
A new source, and new compositions, for Philippe de Monte
Stanley Boorman
Heinrich Isaac and his Recently Discovered Missa Presulem Ephebeatum
David J. Burn
Josquin in the Sources of Spain: An Evaluation of two Unique Attributions
Willem Elders
Old Testament Motets for the War of Cyprus (1570-71)
Ian Fenlon
Caron and Florence: A New Ascription and the Copying of the Pixérécourt Chansonnier
Sean Gallagher
The Officium of the Recollectio Festorum beate Marie Virginis by Gilles Carlier and Guillaume Du Fay:
Its Celebration and Reform in Leuven
Barbara Haggh
'Excellent For the Hand': Writing on John Bull's Keyboard Music in England
John Irving
Josquin, Willaert and Douleur me bat
Eric Jas
Gardano's Mottetti Del Frutto of 1538-39 and the Promotion of a New Style
Mary S. Lewis
La Prottola Antica e la Caccia. Indizi di un recupero formale e stilistico nelle prima metà del Cinquecento
Francesco Luisi
Die Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel Josquins
Laurenz Lütteken
Notations modales au seizième siècle
Nicolas Meeùs
Notes from an Erasable Tablet
John Milsom
Self-Citation and Self-Promotion: Zarlino and the Miserere Tradition
Katelijne Schiltz
Beati Omnes, Qui timent Dominum à 5. Order: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edieren
Bernhold Schmid
Über ,Nationalstile' in der Motette des 16. Jahrhunderts
Thomas Schmidt-Beste
An Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626)
Eugeen Schreurs
La musique et l'éducation des jeunes filles. D'après La montaigne des pucelles
Den Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599)
Henri Vanhulst
Johannes Tinctoris and the Art of Listening
Rob C. Wegman
Index of Names
