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Full Description
This is an accessible book about the history of ceramics in Japan, containing the most up-to-date research based on new archaeological findings and introducing critical studies from Japan for English-speaking readers.
From everyday vessels to ritualistic objects and works of art, ceramics have played crucial roles in Japanese aesthetics, society, and culture for over 12,000 years. This book aims to offer the first multi-author comprehensive study in English of ceramics in Japan, spanning the prehistoric to modern eras. Its authors, leading scholars based on three continents, employ an array of innovative approaches, ranging from the explanation of archaeological findings to analysis of archival and museum sources to first-person accounts from contemporary curators and ceramicists.
This book is a pivotal resource for students, scholars, and academics with an interest in the history of ceramics in Japan and beyond.
Contents
'Introduction. Part 1. Origins. 1. Towards a Manifesto for Ancient Japanese Pottery Studies. 2. A New Chronology of Medieval Shigaraki Kilns. 3. Ceramics in Medieval Japan: Insights from the Provincial City of Ichijōdani. 4. Chinese Ceramics and 16th-Century Japanese Tea. 5. Satsuma Tea Caddies in the Letters of Furuta Oribe. Part 2. Circulation. 6. Kyoto Ceramics in the Seventeenth Century. 7. Mapping Ceramic Production in Edo: High, Low, And Hinterland. 8. Chosŏn Korean Potters in Japan: Rediscovering the Female Potter, Hyakubasen. 9. Koryŏ Dynasty (918-1392) Celadons and the Aesthetics of Kōrai Chawan. 10. The Creation of a 'Neo-Classical Style' in Korean Teabowls: Situating the Freer Collection's Celadon Bowl with Chrysanthemum Design in the Context of Early-Seventeenth-Century Japanese Tea Culture. 11. Dutch Export Ceramics: Focusing on Water Jars with Enameled Tobacco Leaf Decoration. 12. Hizen Underglaze Blue Decorated Stonewares. 13. Folk Potters and Folk Users: Insights Gleaned from the "Plate Mountain" Wares of Northern Kyushu. Part 3. Interactions. 14. Interactions Between Kutani Ware and Kyoto Ware from the Late-Edo Period Through the Meiji Period. 15. The Making of the Edward Sylvester Morse Collection of Japanese Ceramics at the Museum of Fine Arts, Boston. 16. Kume Kunitake: Situating and Positioning Arita Ceramics Within the Euro-American Context in the Early Meiji Era. 17. Shaping the Canon: Constructing the 'Ninsei Narrative' in Japanese Ceramics Historiography. 18. 'A Wonder of Pottering': Charles Lang Freer and Kōetsu Ceramics. 19. The Sustainability of 'Tradition' and 'KUTANism': The Roles of 'Outsiders' including Saga Craftsmen, Kyoto Sinophiles, Christians, and Women Painters. Part 4. Elements. 20. Kitaōji Rosanjin's 'Discovery of Clay' and the Momoyama Revival. 21. Towards an Understanding of Contemporary Ceramic Utsuwa (Vessels). 22. Liberating Fire from the Kiln: Noyaki by Fujita Akiko, Koie Ryōji, and Nagasawa Nobuho. 23. Hayashiya Seizō and the Making of the Contemporary Teabowl. 24. A Lineage of Form-based Porcelain Expression since the 1910s: Ceramic Artists Working in Four Techniques. Part 5. Perspectives. 25. The Akishino Kiln and Three Generations of the Imanishi Family: Transregional and International Creativity, and Untold Stories of Artists' Synergy. 26. Utsuwa (empty harmony): Large White Porcelain Jar. 27. What is the Future of Crafts? Reflections on the 2021- 22 GO FOR KOGEI Exhibitions and My Work with Crafts Over the Past Decade. 28. Clay-Fire-Body, a performance by Hoshino Satoru, Victoria and Albert Museum, London, 29 June 2001. 29. Searching for Talent: Japanese Ceramic Artists of the 21st Century. 30. The Road Back to Miyama.
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- 灯台のある小さな旅 特選 ２
