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Full Description
A quest for sense is often taken to be a, if not the, main task of philosophy. Still, the relationship between philosophy and sense remains a complicated one, as "sense" is both what is most immediate in perception and what is most abstract and distant from perceptual immediacy. Such apparent contradiction is directly taken on by Hegel. The present collection reunites explorations of Hegel's conception of sense from multiple perspectives, unified by their common reference to the aesthetic dimension. In turn, the complexity of "sense" allows different aspects of Hegel's concept of the aesthetic to emerge, also in relation to contemporary debates.
Contents
Notes on Contributors
Introduction
Nicola Ramazzotto, Elena Romagnoli and Alberto L. Siani
1 Absolute Spirit
Christian Krijnen
2 Sensation and Thing's Finite Mode of Existence: How to Do Justice to the Real Externalities of Beings
Cinzia Ferrini
3 Hegel and the Truth of Art
Marina F. Bykova
4 The Sense of Representation: on the Role of Vorstellung in Hegel's Aesthetics
Francesco Campana
5 Hegel's Notion of Symbol: the Aesthetic Experience between System and Interpretation
Mario Farina
6 Aesthetic Variations: Hegel between Philosophy of Art and Callistics
Alberto L. Siani
7 The Forms of Art: Symbolic, Iconic (Sculpture), Functional (Music)
Bruno Haas
8 Hegel on Tragedy
Michael N. Forster
9 Hegel and the Sense of Poetry
Nicola Ramazzotto
10 Other Deaths of Art: on Some Antecedents of the Hegelian Thesis
Paolo D'Angelo
11 From Plasticity to Movement: Human Body in Hegel's Aesthetics
Elena Romagnoli
12 Hegel und die Wahlverwandtschaften
Klaus Vieweg
13 Hegel and World-Historical Art: Miles Davis in Berlin, 29 October 1983
Kenneth R. Westphal
14 Die Galaxie des Hyperästhetischen bei Hegel
Francesca Iannelli
Index
