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Full Description
"The best way of being an artist is not to serve a particular art." The film critic André Bazin believed artists create without boundaries in mind. Literary criticism should be no different. This book is a unique collection that critically reflects on the complex, non-unidirectional, and organic relationship between cinema, literature, photography, and the other arts.
With essays by David Damrosch, Laura Marcus, Ignacio Sánchez Prado, Maria Dabija, and Michael Makarovsky among others, this volume establishes a much needed dialogue between the fields of world literature and world cinema.
Contents
Introduction: The Artistic Object and Its Worlds: Literature and Cinema
Michael Wood and Delia Ungureanu
1 Medieval Montage: The Typological Poetics of Arseny and Andrei Tarkovsky
Michael Makarovsky
2 Through the Lens of Virginia Woolf's Feminism: From Julia Margaret Cameron to Jacqueline Audry and Sally Potter
Maria Dabija
3 Page, Stage, Location: The Work in the World
David Damrosch
4 From Translating for the World to Translation as the World
Tara Coleman
5 Cantinflas and World Literature: Popular Cosmopolitanism and Comedic Adaptation in Mid-century Cinema
Ignacio M. Sánchez Prado
6 Between Life and Legend: (Re)thinking Power Relations with Raoul Peck and James Baldwin
Claire Tomasella
7 In the Key of Loss: Aciman, Guadagnino, and Call Me By Your Name
Laura Marcus
8 Time and Description in Sátántangó and The Melancholy of Resistance (Novel into Film)
Cezar Gheorghe
9 A Filmmaker in His Library: The Circulation of Ideas in Pasolini's "Impure" Work
Annalisa Mirizio
10 The War of the Worlds in Latin America: Gabriela Alemán, Jess Franco, Orson Welles, and H.G. Wells Meet in Ecuador
Luis A. Medina Cordova
11 Welcome to the Field: Cultural Capital for Videogames and the Ecofeminist Position-Taking of Horizon Zero Dawn
Michael O'Krent
Index
