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Full Description
Plant Poetics explores the forms and functions of the vegetal across a broad body of literature. From Homer to Johann Wolfgang von Goethe and from Jamaica Kincaid to Esther Kinsky, the contributions to this volume trace plants in literary works from around the world. Based on nuanced theoretical and historical groundwork, these readings bring together interdisciplinary perspectives on literary and cultural plant studies. The volume shows how vegetal beings have impacted the ways humans think about narrative time, genre, and writing as a literary practice. Plant Poetics illustrates the capacity of plants to make (literary) worlds and shape their forms.
Contents
Figures
Notes on Contributors
Introduction
Joela Jacobs, Isabel Kranz, and Solvejg Nitzke
part 1: Vegetal Forms
1 "Imagine a Green Plant Shooting Up from Its Root": Goethe's Vegetal Poetics
Michael Bies
2 Towards a Literary Botanical Approach: Katrina Kalda's The Country of Trees without Shadows
Rachel Bouvet, Stephanie Posthumus, and Noémie Dubé
3 Tree Trunks in Motion: "Cinematic Style" and Plant Poetics in Alfred Döblin's "Murder of a Buttercup" and Mountains Oceans Giants
Oliver Völker
part 2: Arboreal Poetics
4 The Deep Time of Life: Narrative Speed as Expression of Arboreal Time Scales in Richard Powers's The Overstory
Eva Axer
5 From Tree Talk to Forest Thinking: Richard Powers's The Overstory and Annie Proulx's Barkskins
Susan McHugh
6 Writing Trees and Chasing Spirits: Marion Poschmann's and Esther Kinsky's Third Nature Poetics
Helga G. Braunbeck
part 3: Plant Potentials
7 When Plants Attack: Ancient Sallies in the War on Weeds
Rebecca Armstrong
8 The Poetics of Plants: Performing Speech, Performing Self, Performing Green
Andrée-Anne Kekeh-Dika
9 Vegetal Art and Activism in Frans Krajcberg's Sculptures
Patrícia Vieira
Index