Popular Music and the Poetics of Self in Fiction (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft)

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Popular Music and the Poetics of Self in Fiction (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft)

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  • 製本 Hardcover:ハードカバー版/ページ数 354 p.
  • 言語 ENG
  • 商品コード 9789004500693
  • DDC分類 809.3

Full Description

Popular Music and the Poetics of Self in Fiction explores the various links between the self and popular music in contemporary fiction. In the novels discussed in this volume, musical references go far beyond creating a tapestry of sound, they make literary characters come alive by giving an account of the physiological and psychological effects of their musical experiences and of their ways of life in different (sub)cultural and social groups. With plots revolving around songs and albums, musicians and bands, and fans and scenes, the thematic focus on the self encompasses the relation of musical taste and identity construction, popular music's function as a medium of individual and collective memory, and its uses in everyday life across decades, spaces, and genres.

Contents

Notes on Contributors

1 Popular Music and the Poetics of Self in Fiction

  Juliane Werner, Norbert Bachleitner

part 1

Popular Music Styles, Taste, and (Fan) Identities

2 On the End(s) of Identity Pop Music and the Fictional Self

  Claus-Ulrich Viol

3 The Three Ages of Fan Identity, Irony, and Post-Postmodernism in Roddy Doyle's Popular Music Narratives

  Jeffrey Roessner

4 Shaman or Messiah? The Record Seller as a Higher Being in Virginie Despentes's Vernon Subutex

  Diedrich Diederichsen

5 Changing Infrastructures of Musical Taste Formation?

  Jonathan Kropf

6 'Popularity is a game' Music, Identity, and the Popular in Tom Cho's Look Who's Morphing

  Thomas Gurke

part 2

Cultural Contexts, Memoryscapes, and the Biographical Self

7 Montreal Bohemia and the Mile End Apartment Party Scene

  Will Straw

8 Appropriations in Pop Cultural Appropriation, Gentrification, and Retromania in Jonathan Lethem's The Fortress of Solitude, Michael Chabon's Telegraph Avenue, and Paul Beatty's Slumberland

  Simon Nagy

9 A New Male Middle-Class Self? Rock Music in Norwegian Novels, 1966-1984

  Klaus Nathaus

10 Music, Media, and Memories in Serhiy Zhadan's Voroshilovgrad

  Hannah Schroder

11 An Alternative Jazz Biography Ronald Pohl's Kind aus Blau

  Norbert Bachleitner

12 Musical Self-Remembrance in Contemporary Literature Reflections on Friedrich Christian Delius's Die Zukunft der Schönheit

  Nicola Gess

part 3

Intermedial Encounters, the Poetics of Pop, and Musician(s') Fiction

13 How to Create a Unique Atmosphere in Fiction and Recorded Music Frank Witzel and The Beatles

  Peter Apfl

14 Intermedial Resonances and Narrative Dissonances in Steve Earle's Music and Literature

  Daniel Stein

15 Fictitious Musicians - Fictitious Music?

  Daniel Syrovy

16 Fictional Transfigurations of Bob Dylan, or Writing the Unknowable

  Juliane Werner

17 To Believe in Neil Young His Music, Navid Kermani, the Prophet, and Søren Kierkegaard

  Stefan Kutzenberger

18 Reading as Listening - Listening as Reading Rock Novels from My Bookshelf

  Simon Frith

Index

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