À l'orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries (Arts and Archaeology of the Islamic World)

Giese, Francine (EDT)/ Volait, Mercedes (EDT)/ Varela Braga, Ariane (EDT)

Brill（2019/11発売）

• 製本 Hardcover:ハードカバー版／ページ数 224 p.
• 言語 ENG
• 商品コード 9789004410855

Full Description

The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond.

L'ouvrage fournit un panorama du collectionnisme d'art islamique au cours du long XIXe siècle, en mettant l'accent sur la figure d'Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.

Contents

Foreword

 Albert Lutz

Acknowledgements

List of Illustrations

Notes on Contributors

Honoring Henri Moser Charlottenfels

 Roger Nicholas Balsiger

Introduction: Islamic Art and Architecture Exposed

 Francine Giese, Mercedes Volait, and Ariane Varela Braga

Part 1: Islamic Taste in the Nineteenth and Early Twentieth Centuries

1 Safavid Revival in Persian Miniature Painting: Renewal, Imitation and Source of Inspiration

 Axel Langer

2 « De véritables merveilles d'exécution » : Les vitraux du fumoir arabe

 Sarah Keller

3 L'art islamique et la fabrique de l'Histoire des musulmans de Sicile de Michele Amari

 Hélène Guérin

4 Orientalisme versus orientalité : La nouvelle appréciation des arts de l'Islam en Pologne au début du XXe siècle

 Agnieszka Kluczewska-Wójcik

Part 2: Appropriation, Reuse and Eclecticism

5 Appropriating Damascus Rooms: Vincent Robinson, Caspar Purdon Clarke and Commercial Strategy in Victorian London

 Moya Carey

6 Le remploi de grands décors mamelouks et ottomans dans l'œuvre construit d'Ambroise Baudry en Égypte et en France

 Mercedes Volait

7 International Fashion and Personal Taste: Neo-Islamic Style Rooms and Orientalizing Scenographies in Private Museums

 Francine Giese

Part 3: Museums and International Exhibitions

8 Carpets and Empire: The 1891 Exhibition at the Handelsmuseum in Vienna

 Barbara Karl

9 Henri Moser as Commissioner General of the Pavilion of Bosnia and Herzegovina at the 1900 Universal Exposition in Paris

 Ágnes Sebestyén

10 Samarcande au nord et à l'ouest : Appropriation(s) de l'architecture timouride à Saint-Pétersbourg et à Berne

 Katrin Kaufmann

11 Tashkent in St. Petersburg: The Constructed Image of Central Asia in Russia's Nineteenth-Century Ethnographic Exhibitions

 Inessa Kouteinikova

Part 4: Collectors and Networks

12 "Troppo amanti degli oggetti orientali"? : Ferdinando Panciatichi Ximenes d'Aragona, a Collector of Islamic Art in Nineteenth-Century Florence

 Ariane Varela Braga

13 The Arab Room of Achille Vertunni: Islamic Art in the Streets of Rome

 Valentina Colonna

14 "Our aim is to perform something that remains after we are gone": The Oriental Collection Henri Moser Charlottenfels at Bernisches Historisches Museum

 Alban von Stockhausen

15 Yakov Smirnov's Photo Collection: The Orient in Nineteenth-Century Photography

 Maria Medvedeva

Who's Who

Index of Persons

Index of Places