The Explicit Material : Inquiries on the Intersection of Curatorial and Conservation Cultures (Studies in Art & Materiality) / Hölling, Hanna B. (EDT)/ Bewer, Francesca G. (EDT)/ Ammann, Katharina (EDT)

ホーム
> 洋書
> 英文書
> Art

The Explicit Material : Inquiries on the Intersection of Curatorial and Conservation Cultures (Studies in Art & Materiality)

ポイントキャンペーン

The Explicit Material : Inquiries on the Intersection of Curatorial and Conservation Cultures (Studies in Art & Materiality)

Hölling, Hanna B. (EDT)/ Bewer, Francesca G. (EDT)/ Ammann, Katharina (EDT)

Brill（2019/07発売）

ただいまウェブストアではご注文を受け付けておりません。 ⇒古書を探す

製本 Hardcover:ハードカバー版／ページ数 290 p.
言語 ENG
商品コード 9789004372818
DDC分類 702.88

Full Description

The Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation.

Preface

Hanna Hölling

List of Figures

Contributors

Introduction: Material Encounters

Hanna B. Hölling, Francesca G. Bewer, and Katharina Ammann

Part 1: Time and Change in Material and Object Inquiries

1 A Sea-Change Rich and Strange

David Lowenthal

2 The Present, the Past, and the Material Object

Paul Eggert

3 Engaging with Materials Telling the Whole Story

Elizabeth Pye

Part 2: Explicating the Performative: Material, Medium, Object

4 The 'Extended Life' of Performance Curating 1960s Multimedia Art in the Contemporary Museum

Judit Bodor

5 Framing Intention Presentation as Preservation Strategy in Video Art

Katharina Ammann

6 Out of the Box Preservation on Display

Anna Schäffler

7 The Louvre on Celluloid Curating, Disseminating, and Preserving the Louvre's Collections in Mid-Twentieth-Century Art Documentaries

Birgit Cleppe

Part 3: The Making and Unmaking of Objects and Myths

8 The Material Forms of the Past and the 'Afterlives' of the Compositiones variae Recovering, Conserving, and Exhibiting the Personal History of an Early Medieval Manuscript

Thea Burns

9 Would You Like That With or Without Mayo? How Interdisciplinary Collaboration Slows the Spread of Popular Misconceptions in Modern Art Scholarship

Dawn V. Rogala

Part 4: Transitions

10 Materials, Objects, Transitions Jorge Otero-Pailos in Conversation with Hanna Hölling

Index