Politics and Aesthetics in European Baroque and Classicist Tragedy (Drama and Theatre in Early Modern Europe)

個数：

ポイントキャンペーン

Politics and Aesthetics in European Baroque and Classicist Tragedy (Drama and Theatre in Early Modern Europe)

Bloemendal, Jan/ Smith, Nigel

ウェブストア価格 ¥55,794（本体¥50,722）
Brill（2016/08発売）
外貨定価 US$ 259.00
読書週間ポイント2倍キャンペーン対象商品（～11/9）
ポイント 1,014pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 442 p.
言語 ENG
商品コード 9789004323414
DDC分類 809.2512094

Full Description

Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts.

Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas.

Introduction

Sovereignty

Frans-Willem Korsten - What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture

Russ Leo - Grotius Among the Dagonists: Joost van den Vondel's Samson, of Heilige Wraeck, Revenge and the Ius Gentium

Freya Sierhuis - Performing the Medieval Past: Vondel's Gysbreght van Aemstel (1637)

Religion

Howard B. Norland - Political Martyrdom at the English College in Rome

James A. Parente, Jr. - Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583-1649)

Blair Hoxby - The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond

Ethics

Emily Vasiliauskas - Mortal Knowledge: Akrasia in English Renaissance Tragedy

Sarah Knight - A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England

Tatiana Korneeva - The Political Theatre and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641)

Christian Biet - French Tragedy During the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage and Critical Judgment

Mobility

Joel Lande - German Trauerspiel and its International Nexus: On the Migration of Poetic Forms

Helmer Helmers - The Politics of Mobility: Shakespeare's Titus Andronicus, Jan Vos' Aran and Titus and the Poetics of Empire

Nienke Tjoelker - French Classicism in Jesuit Theatre Poetics of the Eighteenth Century

Kirill Ospovat - Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama

Index