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基本説明
Catalog of an exhibition held at the Ludwig Museum im Deutschherrenhaus, Koblenz, Germany, December 1, 2024-February 23, 2025.
Full Description
Tan Ping came to Berlin in 1989 to study at the University of the Arts (UDK) and shortly afterwards witnessed the fall of the Berlin Wall. China's opening to the Western World since 1985 has created new opportunities for a variety of bilateral relationships.
Tan Ping consistently developed an abstract formal language that was significantly influenced by the Western art of Abstract Expressionism, Art Informel, Minimal and Conceptual Art. He uniquely combines these influences with his Chinese cultural roots, which stem from calligraphy and ink painting.
As early as 1993, he created a conceptual approach with his 'Time' installation, in which he intertwined space, movement and time. Since then, he has continuously explored these factors and at the same time questioned his own self. Thirty years after completing his studies in Germany, this book offers a compendium of his research and artistic processes.
Text in English and German.
Contents
8 The line
Tan Ping's Multi-Perspective Concept
9 Die Linie
Tan Pings multiperspektivisches Konzept
Beate Reifenscheid
22 How to Be "One"?
A Philosophical Reflection on "One" from
Nothing—Tan Ping and "the Third Abstraction"
23 Wozu das Eine?
Tan Ping und die Dritte Abstraktion
- eine philosophische Reflexion über
das Entstehen des Einen aus dem Nicht-Existenten
LaoZhu (Zhu Qingsheng)
44 Self-Statement
45 Selbstauskunft
Tan Ping
56 A Line
57 Eine Linie
82 Point, Line, Plane
83 Punkt, Linie, Ebene
118 Limited Freedom
119 Eingeschränkte Freiheit
148 Overflow and Suture
149 Überlauf und Naht
178 Chronology
Chronologie
188 Exhibitions
Ausstellungen



