Hermann Leopoldi : Composer, Viennese Cabaret Pianist and Incurable Optimist (Jüdische Miniaturen .234A) (2019. 90 S. 21 Abb. 15.5 cm)

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Hermann Leopoldi : Composer, Viennese Cabaret Pianist and Incurable Optimist (Jüdische Miniaturen .234A) (2019. 90 S. 21 Abb. 15.5 cm)

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Description


(Text)
Hermann Leopoldi (1888-1959) ranks among the most celebrated composers, piano players, singers and - as he liked to refer to himself - »cabaret pianists« of the Wiener Lied and German-language Schlager of the 1920s-1950s. After years of honing his musical skills, travelling to various places throughout the Danubian Monarchy, he established himself in Vienna, where he founded the legendary cabaret Leopoldi-Wiesenthal (L.W.) with his brother Ferdinand and the conférencier Fritz Wiesenthal. Even when the L.W. found itself financially depleted, nothing could break Leopoldi's stride, and well-received engagements in Berlin and concert tours through Europe with his partner Betja Milskaja followed. Hermann Leopoldi's career was brought to a screeching halt in 1938. After nine months of being imprisoned in concentration camps, he was able to escape to New York by means of an affidavit that his wife had procured for him. He found a new scene in German-language cafes for exiles, where he also met Helly Möslein, the woman who would eventually become his partner on stage and in life. Leopoldi collaborated with fellow emigres including lyricist Robert Gilbert in adapting his repertoire to his new English-speaking audience. In 1947 he returned to Vienna with Helly Möslein and picked up his career where he had been forced to leave off with songs like »In einem kleinen Café in Hernals«, as he had never been gone at all.
(Text)

(Author portrait)
Leopoldi, Elisabethcame into contact with the famous artist and his family history through her connection to Hermann Leopoldi's son Ronald. With her work on "Leopoldiana", a two volume-edition of sheet music that she started working on in 2010/11, Elisabeth Leopoldi deepened her commitment and interest in Hermann Leopoldi's estate and which eventually led to the writing of this short biography based on Leopoldi's memoirs as well as countless contemporary documents collected over the span of several decades.Bohlman, Philip V.Professor of Music and Humanities at the University of Chicago and Honorary Professor at Hanover University of Music, Drama, and Media. Artistic Director of the Jewish cabaret ensemble New Budapest Orpheum Society.

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