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Description
(Text)
Natürlich, wahnsinnig, abstraktSchon immer haben exzellente Collagen Aufmerksamkeit erregt, weil sie uns oft bei Vertrautem durch die Art der verändernden Eingriffe ganz plötzlich völlig neue und unerwartete Bildinhalte zeigen. So auch die intensiv mit Acryl oder Lack bearbeiteten Vorlagen der 1960er und -70er-Jahre aus 'Epoca' oder 'Oggi', die Hansjoerg Dobliar von seinem Aufenthalt 2006 aus der Villa Massimo mitgebracht hat. Oder 2008, wo uns der in München wie Berlin lebende Künstler ins Tal der Puppen einlädt, die ikonografisch gewordenen Bilder Sharon Tates zu bewundern, die er zwischen Beschwörung und Auslöschung auf präzisem Grat zwischen Realität und Fiktion, Erkennbarem und nicht Erkennbarem wandeln lässt, geradeso als bereite sich die Schöne auf eine Wiederauferstehung vor.Natural, insane, abstractThe best collages have always drawn attention to themselves simply because they possess the sudden ability to show - compositionally speaking - completely new and unexpected content by means of transformational intervention in hitherto familiar pictorial arrangements. Such are the intense acrylic and lacquer treatments of the Sixties and Seventies templates from the Italian Epoca magazine that Hansjoerg Dobliar brought with him from his stay at the Villa Massimo. Or in 2008 where the artist, domiciled alternately in Berlin and Munich, invites us into the Valley of the Dolls to admire the iconographic pictures of Sharon Tate that oscillate in precise and felicitous manner between evocation und erasure, reality and fiction, the recognisable and the unrecognisable, as though he were preparing the beauty's resurrection.
(Short description)
Natural, insane, abstract
The best collages have always drawn attention to themselves simply because they possess the sudden ability to show compositionally speaking completely new and unexpected content by means of transformational intervention in hitherto familiar pictorial arrangements. Such are the intense acrylic and lacquer treatments of the Sixties and Seventies templates from the Italian Epoca magazine that Hansjoerg Dobliar brought with him from his stay at the Villa Massimo. Or in 2008 where the artist, domiciled alternately in Berlin and Munich, invites us into the Valley of the Dolls to admire the iconographic pictures of Sharon Tate that oscillate in precise and felicitous manner between evocation und erasure, reality and fiction, the recognisable and the unrecognisable, as though he were preparing the beauty's resurrection.
