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Description
(Text)
Consacrée à la publication d'études sur le théâtre de la Renaissance européenne - et d'abord anglaise - et sur la culture qui le nourrit, la collection "THETA" se veut lieu de rencontre et de débat, accueillant sans exclusive toutes les approches.
Les quinze essais de ce recueil abordent diverses formes et stratégies dans l'imposant registre de la convention théâtrale. Si cette notion essentielle intéresse évidemment l'élaboration de la forme, du texte dramatique à celui de la représentation, ses fonctions sont aussi parfois paradoxales, et peuvent même concerner la réception de l'oeuvre immédiatement ou à terme, jusqu'à en reconstruire les significations esthétiques ou le poids idéologique.
Primarily meant to host studies about the drama of the English - and European - Renaissance, as well as the culture in which it is rooted, the "THETA" series aims to be a forum for exchange and debate.
The fifteen essays in the present volume address a variety of forms and strategies of the conventional elements at work in the late C15 and C16 corpus of English plays. Known to be an essential factor in the writing proper - be it of the dramatic or the performance text - convention may work in paradoxical ways, even affecting play reception in the short or in the long term, to the point of altering its aesthetic features and ideological impact.
(Table of content)
Contents: André Lascombes: Introduction - Victor Bourgy: Ecriture dramatique et conventions - Roberta Mullini: Dialogue and debate in John Heywood's plays: Witty and Witless, The play of love and The Play of the wether - Peter Happé: "Alone in the place": soliloquy in Magnyfycence, Apius and Virginia and The Spanish Tragedy - Charles Whitworth: Reporting offstage events in early Tudor drama - Howard B. Norland: Kyd's formulation of the conventions of revenge tragedy - Yves Peyré: "Excellent dumb discourse": le symbolisme des dumb shows de la tragédie élisabéthaine - Michael Hattaway: The representation of consciousness in productions of plays by Marlowe - Jean-Pierre Maquerlot: In medias Res... , ou le respect subversif du code dans Troilus and Cressida - Danielle Bonneau: Du monologue inductif au cadre dramatique: l'exemple de Ben Jonson - Bob Godfrey: Survivals of "place and scaffold" staging in the 16th century - Francis Guinle: Identity and identification: establishing a convention - Nicholas Brooke: Significant doubling in Tudor drama - Greg Walker: The politics and place in Tudor Household Drama - Clare M. Murphy: Sir Thomas More as biography: Convention and innovation in matter and manner - Peter J. Smith: Characterisation and stereotype theatrical convention in The Merchant of Venice .
