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Description
(Table of content)
Contents
Ute Berns and Jolene Mathieson (Hamburg)
Preface ix
Xiaolu Guo (London) in conversation with Ralf Hertel (Trier)
Writing China Across the Globe 1
Section I: Mash-ups
Lucia Krämer (Passau) and Monika Pietrzak-Franger (Hamburg)
Mash-ups: 'Glitch Aesthetics' and Transmedia Practice 13
Eckart Voigts (Braunschweig)
Some Random Thoughts about Animated GIFs:
Compact Meme Micronarratives in Everyday Remix Culture 19
Katharina Pink (München)
Monsters in the Drawing Room: Mashing up Victorian Classics 33
Christian Lenz (Dortmund)
Toying with Monsters: Mash-ups, Remixes, and Mattel's Monster High 45
Engelbert Thaler (Augsburg)
Literal Music Videos in Language Teaching 57
Thomas Gurke and Alexander Zimbulov (Düsseldorf)
Mashing up the Classroom - Teaching Poetry and Prose
in the Age of Participatory Culture 67
Section II: Engaging with the Past: Reinventing the Middle Ages
Eva von Contzen (Freiburg), Annette Kern-Stähler (Bern)
and Nicole Nyffenegger (Bern)
Engaging with the Past: Reinventing the Middle Ages 87
Matthias Bauer and Angelika Zirker (Tübingen)
Subtle Medievalism: The Case of Charles Dickens 91
Stefanie Fricke (München)
Creating England: Stories of Ethnic Antagonism, Hybridity,
and Otherness from Walter Scott to Kazuo Ishiguro 103
Matthias Berger (Bern)
Roots and Beginnings: Medievalism and National Identity in
Daniel Hannan's How We Invented Freedom and Why It Matters 119
Richard Utz (Georgia)
The Return to Medievalism and the Future of Medieval Studies 137
Section III: Force Fields of Serial Narration
Sylvia Mieszkowski (Wien) and Barbara Straumann (Zürich)
Force Fields of Serial Narration 151
Jan Rupp (Heidelberg)
Serial Crime, Sex, and Politics in Twenty-First-Century Remakes
of Sherlock Holmes 161
Janneke Rauscher (Frankfurt/Main)
Seriality and the Semiosphere: Seriality as Narrative Principle
and the Dynamics of Serial Worldmaking in Contemporary
Glaswegian Crime Fiction 181
Susanne Köller (Konstanz)
"Just Little Bits of History Repeating" - The Historical Event, Seriality,
and Accumulation in Mad Men 197
Section IV: Cosmopolitan/Global/Planetary Fictions:
The Uses and Abuses of Comparative Approaches
Jana Gohrisch (Hannover) and Barbara Schmidt-Haberkamp (Bonn)
Cosmopolitan/Global/Planetary Fictions: The Uses and Abuses
of Comparative Approaches 211
Helge Nowak (München)
Around the World in 18 Pages; or, Fresh Ground for Comparison
of Literature in a Global Context 219
Roman Bartosch (Köln)
Anthropocene F(r)ictions: World Literatures and
Transcultural Ecology in an Age of Climate Change 233
Pavan Malreddy (Frankfurt/Main) and Ana Sobral (Zürich)
Violent Worlds: Three Readings from the Global South 245
Annika McPherson (Augsburg)
A Question of Perception? Transnational Lives and
Afropolitan Aesthetics in Teju Cole's Every Day Is for the T
