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ContentsJoachim Frenk and Lena Steveker (Saarbrücken)PrefaceForum: Anglistik und MediengesellschaftEckart Voigts-Virchow und Nicola Glaubitz (Siegen)EinleitungJulia Griem (Darmstadt)Überlegungen für eine Anglistik in der Mediengesellschaft: Verfahren, Praxen und GeltungsansprücheGudula Moritz (Mainz)Anglistik und MediengesellschaftNicola Glaubitz (Siegen)Für eine Diskursivierung der KulturRegula Hohl Trillini (Basel)Don't Worry, Be Trendy: Shakespeares Rezeption als ermutigender ModellfallEckart Voigts-Virchow (Siegen)Performative Hermeneutik durch mediendiversifizierte Fankulturen - eine Skizze, oder: Wie ein etablierter literaturwissenschaftlicher Begriff das Verständnis gegenwärtiger Medienkulturen befruchten kannSection I: Makkin Yer Voice Heard: Scotland after DevolutionSilvia Mergenthal (Konstanz) and Sigrid Rieuwerts (Mainz)Makkin Yer Voice Heard: Scotland after Devolution: IntroductionChristoph Heyl (Bamberg / Frankfurt am Main)Staging Scottishness: The Homecoming Scotland Initiative and Post-Devolution Perceptions of Scottish Culture, Literature and IdentityValentina Bold (Glasgow)The Promotion of Literature within Post-Devolution ScotlandTobias Arens (Greifswald) Late 20th- and Early 21st-Century Scottish Bestsellers and ScottishnessKirsten Sandrock (Göttingen)The Changing Geographies of Ian Rankin's Edinburgh: Crime and the CityFrauke Reitemeier (Göttingen)The World According to McCall Smith, or: How Scottish is Scotland Street?Elisabeth Winkler (Kiel)Questions of (National) Identity and Belonging in Bashabi Fraser's Tartan and TurbanDietmar Böhnke (Leipzig)A Devolved Cinema? The 'New' Scottish Film since the 1990sNadine Christina Böhm (Erlangen)Dislocated Voices and Identity under (Re-)ConstructionSection II: Postcolonial Media CulturesLars Eckstein (Potsdam) and Lucia Krämer (Hannover)Introduction: Postcolonial Media CulturesDaya Kishan Thussu (London)Media Studies for a "Post-American World"Dirk Wiemann (Potsdam)Achievers, Clones and Pirates: Indian Graphic Narrative Mita Banerjee (Mainz)"In the Name of God": Pakistani Film and the Global Discourse of Postcoloniality Ellen Dengel-Janic (Tübingen)Elizabeth I and Shakespeare as Postcolonial Media IconsRainer Emig (Hannover)"This is my voice, my weapon of choice": Grace Jones's Hurricane (2008) as Global Commodity and Postcolonial CritiqueSarah Heinz (Mannheim)Ireland Online: Diaspora, Virtual Communities and the Question of National IdentitySection III: Language, Literature and Culture in the 17th Century: New Perspectives on an Under-Rated PeriodClaudia Claridge (Duisburg-Essen), Jens Martin Gurr (Duisburg-Essen), Dirk Vanderbeke (Jena)Language, Literature and Culture in the 17th Century: IntroductionSharon Achinstein (Oxford)John Milton and Lyric ObligationIsabel Karremann (München)Medial Pluralization and Censorship in the Early Seventeenth Century: The Case of Thomas Middleton's A Game at ChessGaby Mahlberg (Potsdam)Author-Politicians and Political Authors: The Example of Henry Neville (1619-94)Gerd Bayer (Erlangen)Character Speech, Narration, and Individual Identity in Early Modern ProseSusanne Schmid (Berlin)Cider, Masculinity, and the Nation: Drink in Seventeenth-Century BritainTobias Kohnen (Köln)Religious Language in 17th-Century England: Progressive or Archaic?Section IV: Patterns of MobilityIngo Berensmeyer (Gießen) and Christoph Ehland (Paderborn)"Patterns of Mobility": IntroductionBirgit Neumann (Passau)Imperial Fate? Patterns of Global Mobility in Early Modern English LiteratureJulia Straub (Bern)Transatlantic Mobility and British-American Periodical Literature of the Eighteenth CenturyPascal Fischer (Würzburg)Mobility as a Threat in Late Eighteenth-Century Anti-Jacobin WritingPhilipp Erchinger (Exeter)Being Moved: G.H. Lewes's Studies in LifeSven Strasen, Timo Lothmann and Peter Wenzel (Aachen)On the Metaphorical Conceptualisation of Mobility Technologies in PoetryMichaela
