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Description
(Text)
K. Krick-Aigner / M.-O. Schuster: Introduction - S. Feinstein: Jazz as a Liberator of Language - Y. Karsunke: bloody Mary - J. N. Pfeifer: Poems - Pre- and Post-World War I - M. de Ridder: "This Music Has Arisen from the Trenches": Jazz as a Measure of Modernity in European Literature after World War I - W. Lamprecht: From the Cakewalk to the Foxtrot - Two-stepping between Dance and Propaganda: The Sound of World War I - K. Nowakowski: A Racketeers' Music? Reactions to Early Jazz in Vienna - P. Cohen-Avenel: Jazz and the Revolution of Dance Music in Dance-Manuals (Koebner, Pollack, Jaffé, Baresel) between 1913 and 1926 - The Interwar Period - K. Krick- Aigner: "Because she's got to dance": Jazz Dance in the Literary Imagination of German Expressionist Women Poets - L. Tessitore: "Sprachen-Ragtime": Jazz Influences on Walter Mehring's Poems for Cabaret - S. Kluge: Delightful Orgies: An Invitation for a New Discussion on Thomas Mann and Jazz - F. Opitz: "Bäbä, tu. Bäbä, tut!": Jazzand Literature in Symphonie für Jazz by René Schickele - V. Hofeneder: Syncopes and Infl ation: The Rhythm of Austrian Literature in the Interwar Period - P.-H. Kucher: "Ein Durcheinander mit viel Jazzmusik": 1928 as a Case Study on Controversial-productive Jazz (Culture) Reception in the Viennese Feuilleton, Literature, Music, and Theater - H. Schreckenberger: Jazz and the "New Woman": Lili Grün's Novel Alles ist Jazz (1933) - 1945 - Present - G. Divers: "legt los, leute, haut rein": US-American Jazz in German Poetry since 1945 - M.-O. Schuster: The Transnational Spin in Marginal Jazz Passages in GDR Literature - H. Justin: Hearing and Writing in the Staircase of History: Remarks on an Imaginary Meeting between Kafka and Borneman - A. W. Hurley: "Always within reach, trumpet gold, interpretation-free, above suspicion"? Günter Grass, Jazz, and Literature - T. Antonic: "God's empty chair", or: You Can't Dig It - Jazz & Poetry of the Beat Generation and Beat-inspired Jazz & Poetry in Austria - S. Richter: Performing Jazz and Poetry: Musings about a Fictitious Concert - H. Neundlinger: Performance - Pattern - Improvisation: The Relationship between Body, Sound, and Text in Christian Loidl's Poetry - L. Uzukauskaitÿe: Jazz in Lithuanian Literature - V. Mihaiu: Global & Local, Words & Jazz in Today's World
(Author portrait)
Kirsten Krick-Aigner, Ph.D., ist Professorin und Institutsvorständin am Department of Modern Languages, Literatures, and Cultures am Wofford College in Spartanburg, South Carolina. Zu ihren Forschungsschwerpunkten zählen deutschsprachige Nachkriegsliteratur, Jewish Studies und österreichische Sinti-Kultur. Marc-Oliver Schuster, Ph.D., ist Lehrbeauftragter an der Universität Wien (Germanistik) und arbeitet v.a. über deutschsprachige Literatur nach 1945 sowie zu interdisziplinären Themen (Postmoderne, Semiotik, Philosophie, Jazz in deutschsprachiger Literatur).
(Author portrait)
Kirsten Krick-Aigner, Ph.D., ist Professorin und Institutsvorständin am Department of Modern Languages, Literatures, and Cultures am Wofford College in Spartanburg, South Carolina. Zu ihren Forschungsschwerpunkten zählen deutschsprachige Nachkriegsliteratur, Jewish Studies und österreichische Sinti-Kultur. Marc-Oliver Schuster, Ph.D., ist Lehrbeauftragter an der Universität Wien (Germanistik) und arbeitet v.a. über deutschsprachige Literatur nach 1945 sowie zu interdisziplinären Themen (Postmoderne, Semiotik, Philosophie, Jazz in deutschsprachiger Literatur).
