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Description
(Text)
J. Horner: The Medium Is the Message ? New Venues for Canadian Poetry in English Canada - D. Cooley: Feminism in Contemporary Canadian Poetry - B. Sentes: Charm Schools : Modes of Petitio Benevolentiae in Contemporary Canadian Poetry - M. Martín: Identity and Language in American Experimental Poetry : The Editorship Venture - M. Brito: Editing Little Magazines of American Poetry: From Poetry for Minorities to Voices of Acceptance - D. Büscher-Ulbrich: The Poet/Poem as Agent Provocateur : Sounding the Performative Dimension of Amiri Baraka's "Somebody Blew Up America" - M. Pfeiler: Remediating The Making of Americans : A Twenty-First-Century Poetry Film in the Context of Twentieth and Twenty-First-Century Poetry Films and New Media - J. Novak: "Lip Up Fatty!" - Marketing Live Poetry as Popular Culture - S. Sorensen: John K. Samson, Poet Laureate of Winnipeg Rock - M. Oguchi: The Power of Multiplication. A Defense of Poetry in the Age of Hazy Identity - M. Mitsutani: Oral Readings and the Strange State of Poetry in Japan - G. Banita: Poetry and Collective Grief: The Popular Turn to Lyricism after 9/11 - M. Peterfy: Between Liberal Push and Sentimental Pull: American Poetry and the Forty-fourth American President - K. Martens: Poetic Progress as Poetic Regress?
(Author portrait)
Klaus Martens is the author and editor of a range of comparatist scholarly books and articles on American, Canadian und European literary subjects. As a literary editor and translator he has published editions and single works by John Ashbery, Elisabeth Bishop, Christopher Middleton, Wallace Stevens, Dylan Thomas and Derek Walcott.
