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(Short description)
Der Architekt Oscar Niemeyer und der Fotograf Lucien Clergue die Erotomanen der Kurve
(Text)
Erstmals wird in diesem Buch Clergue als Architekturfotograf mit Bildern der neuerbauten brasilianischen Hauptstadt Brasilia aus den Jahren 1962/63 vorgestellt, die bislang als verschollen galten. Geblendet von der kühnen Schönheit dieser Metropole wird das Auge verführt, den Schwingungen einer selbstbewusst zukunftsfreudigen Architektur zu folgen.
(Short description)
Der Architekt Oscar Niemeyer und der Fotograf Lucien Clergue - die Erotomanen der Kurve
(Text)
Lucien Clergue ( 1934 in Arles) is one of the most notable photographers of our time. The themes of his picturestraveling artists, gypsies, war ruins and graves, plants in the swamps of the Camargue, tracks in the sand, bullfighting scenestestify to his deep connection to his homeland. He became famous for his photographs of nudes, whose aesthetic, sensual play of light and water enthralled Pablo Picasso and Jean Cocteau so much that they remained Clergues mentors until their deaths. This is the first book to feature Clergues architectural photographs of Brazils newly built capital of Brasilia, taken in 196263, which until just recently were believed to be lost. Blinded by the cool beauty of this metropolis, the eye is seduced into following the curves of a confident, optimistic type of architecture.
(Author portrait)
Lucien Clergue ( 1934 in Arles) is one of the most notable photographers of our time. The themes of his pictures-traveling artists, gypsies, war ruins and graves, plants in the swamps of the Camargue, tracks in the sand, bullfighting scenes-testify to his deep connection to his homeland. He became famous for his photographs of nudes, whose aesthetic, sensual play of light and water enthralled Pablo Picasso and Jean Cocteau so much that they remained Clergue's mentors until their deaths. This is the first book to feature Clergue's architectural photographs of Brazil's newly built capital of Brasilia, taken in 1962-63, which until just recently were believed to be lost. Blinded by the cool beauty of this metropolis, the eye is seduced into following the curves of a confident, optimistic type of architecture.
