反カンディンスキー：抽象主義絵画の歴史（展示図録）<br>Gegen Kandinsky; Against Kandinsky : Katalog zur Ausstellung im Museum Villa Stuck, München, 2006/2007. Dtsch.-Engl. （2006. 182 S. m. 142 meist farb. Abb. 24,5 cm）

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反カンディンスキー：抽象主義絵画の歴史（展示図録）
Gegen Kandinsky; Against Kandinsky : Katalog zur Ausstellung im Museum Villa Stuck, München, 2006/2007. Dtsch.-Engl. （2006. 182 S. m. 142 meist farb. Abb. 24,5 cm）

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  • 製本 Hardcover:ハードカバー版／ページ数 224 p.／サイズ 135 color illus., 17 x 24 cm
  • 商品コード 9783775718967

基本説明

This publication looks at the history of twentieth century abstraction from a broadened perspective of cultural and social history that aims at emphasizing the parallels between European and American art.

Description


(Text)
Ausgehend vom gegenstandslosen Werk Wassily Kandinskyswerden in diesem Buch verschiedene Gegenpositionen expressiver und geometrischer Abstraktion untersucht.
Die Publikation präsentiert und kommentiert in vier Kapiteln eine Vielzahl von Bildern, Zeichnungen, dreidimensionalen Konstruktionen und Installationen, Fotografien und Filmen von Wassily Kandinsky, Aleksandr Rodchenko, Liubov'Popova, Konstantin Medunetskii, Georgii und Vladimir Stenberg, Karl Ioganson, Nikolai Ladovskii, Varvara Bubnova, Varvara Stepanova, Hannes Meyer, Walter Peterhans, Willem De Kooning, Jackson Pollock, Frank Stella, Donald Judd, Carl Andre,Sol Lewitt, Vladimir Nemukhin, Lydia Masterkova, Francisco Infante, Lev Nusberg, Eric Bulatov und anderen.
(Text)
"Against Kandinsky" is the first major publication to examine the schism between Expressionist and geometric abstraction the two canons to compete for stylistic and theoretical supremacy throughout modernist history. Within this historical context, Wassily Kandinsky occupies a unique position as both the originator of Expressionist style of painting and the tireless defender of both intuitive and syncretic modes of abstraction. Against Kandinsky consists of four sections, each of which examines a caseof resistance against Kandinsky's canon of abstraction. By using this particular metaphor of aesthetic division, this publication looks at the history of twentieth century abstraction from a broadened perspective of cultural and social history that aims at emphasizing the parallels between European and American art.
Artists featured (selection): Carl Andre, Varvara Bubnova, Eric Bulatov, Willem DeKooning, Ludwig Hilbersheimer, Francisco Infante, Karl Ioganson, Donald Judd, Vasily Kandinsky, Sergej Komarov, Nikolai Ladovskii, Sol Le Witt, Lydia Masterkova, Konstantin Medunetzkii, Hannes Meyer, Lucia Moholy, Lev Nusberg, Walter Peterhans, Liubov Popova, Aleksandr Rodchenko, Frank Stella, Vladimir Stenberg, Varvara Stepanova, Sladas Svipas