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or at least chronologically uniform, designed to leave no gray areas in the "biography" of the community, by "patriotic" intention to the old memories with constant use of humanistic scholarship, not to mention the numerous references to deserving nobles who take charge of preserving and restoring precious relics of the past, and finally, by a principle that recurs several times in the course of the thriving southern historiographical production and which was inaugurated by the leader of the southern baroque historiography, Giovanni Antonio Summonte, in his History of the City and Kingdom of Naples, the greater value of the authorities closest to the facts narrated.And, above all, in these historic remained, alive and constant concern of the "mirror of power," that is, the need for self-representation for use by the central government, emphasizing, therefore, the hand on the titles of antiquity and nobility that Naples itself had offered.
