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Full Description
This book bridges international human rights law and literary studies, examining dystopian novels through the lens of the Universal Declaration of Human Rights (UDHR). The author analyses classical dystopias and a selection of feminist dystopias, exploring depictions of human rights violations and gender-based discrimination in fiction. The book deconstructs dystopian societies, revealing mechanisms of oppression and highlighting literature's legal and social relevance. Structured like legal commentaries, it offers both theoretical and practical analyses of UDHR provisions. Each article is discussed and interpreted in accordance to the standpoints provided by legal scholars and linked to cases drawn from dystopian literature.
Contents
TABLE OF CONTENTS
Introduction: The Preamble
Chapter 1: Utopia, Law and the Parallel
Chapter 2: The Principles of Human Rights: Classical and Feminist Dystopias
Chapter 3: The Fundamental Rights of an Individual: Nineteen Eighty-Four and Red Clocks
Chapter 4: The Rights of an Individual in Civil and Political Society as well as Spiritual, Public and Political Freedoms: Brave New World and The Handmaid's Tale
Chapter 5: Social, Economic and Cultural Rights: We and Parable of the Sower
Chapter 6: General Means of Exercising Human Rights: Classical and Feminist Dystopias
Conclusion: Transcending the Boundaries of Fiction
Works Cited
