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Full Description
What are the emblematic works and languages of contemporary audiovisuals? Where do the hybridizations and experiments of the currents of audiovisual art, cinematography and its post-production formulas lead us? In our current cultural space, where any image or video on the cinema or TV screen, or uploaded to the Internet and its social networks, goes through digital retouching or even through the corrections of artificial intelligence, what are the artistic manifestations that, from inside and outside the screen, have led us to this particular moment? This volume aims to shed light on these questions through contributions from international researchers, who expose aspects and the phenomenology of digital post-production to find out not only how these representations operate, but also what they try to express.
Contents
Dr. Mario-Paul Martínez and Dr. Fran Mateu: Questions From the Screen: Manifestations and Reflections of Art and Audiovisual Post-Production in Contemporaneity - Part I: Fundamentals and Technologies in the Audiovisual Arts - Dr. Francisco Cuéllar Santiago and Dr. Vicente Javier Pérez Valero: Cinematography as a Transmitter of Pictorial Imagery in Filmmaking - Dr. Hernando Gómez Gómez and Dr. Valeria Levratto: From Analog Photography to Digital Construction: A Journey from Kindel to Post-Photography - Francisco Manuel Poveda Baeza: Tron: Art and Technology at the Dawn of the Computer-Generated Image - Roberto Català Nacher: The Digital Sinister: The Revolution of Emerging Technologies in Hyperrealist Sculpture and the Fantastic Genre - Part II: Techniques, Creative Processes and Audiovisual Narratives - Dr. Damià Jordà Bou: Art and Aesthetics in the Post-Production Workflow of an Indie Fantasy Film - Ben Manzanera: Rotoscoping and Other Animation Techniques: Audiovisual Hybrids for Storytelling - Dr. Elisa Martínez: Sex, Death and Magic: Metamorphoses in the Sand Animation Films of GiseÌle Ansorge - Dr. Clara López Cantos: Evolution of the Classic Script Structure in Interactive Cinema: Black Mirror: Bandersnatch - Alfonso Freire-Sánchez and Swen Seebach: Liminality and the Epistemological Boundaries Within the Series Attack on Titan from a Mythoanalytical and Existentialist Perspective - Part III: Genders, Representation and Identity - Dr. Diego Mollá Furió: Pulp and Science Fiction Press Comics: Buck Rogers and Flash Gordon - Dr. Ricardo González-García: The Fantastic and the Influence of Science Fiction Cinema in the Audiovisual Work of Marina Núñez - Dr. Marta Miquel-Baldellou: Filmic Ekphrases: Artistic Portrayals of Old Age in Contemporary Art Horror Films - Carmen Sáez González: Dying of Laughter: The Awakening of Hope in Post-Apocalyptic Cinema Through Warm Bodies - Fernando Fernández Torres: Queer Reveal: Anagnorisis and Post-Production in Music Videos - Sílvia Catarina Pereira Diogo: The Model Is Galatea but Which of the Two Male Leads Is Pygmalion? Calcifying Galatea and Referencing the Pygmalion Myth in The Song of Songs (Mamoulian, 1933) - Part IV: History and Education - Silvia Casolari and Davide Monopoli: The TV Fanta-Horror of the 1970s. An Example of Italian Media "Folklore" - Kevin Díaz Alché: Mythmaking and Oblivion: The Construction of Spanish History in Video Games - Dr. Amparo Alepuz Rostoll: The Art of Horror Movie Posters: A Study Through Analysis, Research, and Innovation in Teaching - Marina Díaz-Caneja Alepuz: Education in Children's and Youth Classrooms Through Folklore, Audiovisual Media, and the Fantasy Genre
