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Full Description
Historiography is one of the most systematic accounts of the fate of culture. It is also a record of human—reflexive and reflective metaphors of the world, simultaneously anthropomorphizing and humanizing it. Historical imagination captures the world in its classical form directly, and in its non-classical form indirectly, through the lens of anthropomorphization. This enables the adaptation of the world to the human dimension or, in other words, to be constructed on a human scale. Historiography and historical thinking, especially the traditional forms, are close to the figures of public discourse because they offer meanings commensurate with it. Additionally, they are openly imbued with values, making them susceptible to easy, casual and biased interpretations. Thanks to these features, historical thinking and historiography provide a framework for texpressing currently important values and the common and specific emotions centered around them.
Contents
History - Culture - Metaphor: The Facets of Non- Classical Historiography - Introduction - I. The Tasks of the Epistemology of History - II. The Polemic on Metaphor in Contemporary French Historiography - III. The Emergence of Modernist Historiography - IV. Moderate Modernism - V. The Emergence of Non- Modernist Historiography - Conclusion - On Historical Thinking - Introduction - I. Cultural Imputation as a Model of Historical Thinking and Historical Study - II. On the Bias of Historical Thinking - III. Faces of Historical Thinking - IV. On the Historical Thinking - Instead of an Ending - Literature - Index of Names
