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Full Description
This book describes the main characteristics that define the emotion of fear, its dimensions, functions, types, and social and individual meanings. It also shows that fear represents a desire to eliminate the Other and that horror films have their origin precisely in crisis and fear, which gives it a fundamentally xenophobic nature. This is demonstrated in the book through the analysis of the four most important versions of the King Kong myth: 1933, 1976, 2005 and 2017. These versions are the result of the fear of the Other that was generated by particular crises in US society: the stock market crash of 1929, the 1970s energy crisis, 9/11 and the military intervention in Iraq in 2003 and its consequences. These conflicts also led to psychological and sociological effects that created a desire for escape that King Kong's films manifest.
Contents
STARTING HYPOTHESIS, OBJECTIVES, THEORETICAL AND METHODOLOGICAL FOUNDATIONS, FUNDAMENTAL CONCEPTS AND STRUCTURE OF THE BOOK — CRISIS, FEAR, AND XENOPHOBIA IN HORROR CINEMA — CRISIS AND FEAR IN KING KONG — NOSTALGIA FOR THE ORIGIN — KING KONG AND THE INTERNAL AND EXTERNAL FEAR OF THE OTHER — FEAR OF THE BLACK RACE — MALE FEAR OF WOMEN — CRISIS, OR WHERE WE COME FROM AND WHERE WE ARE GOING — BIBLIOGRAPHY .
