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Full Description
The book is a second volume of the project, which is focused on a systematic examination of aesthetic experience by the unification of philosophical and cognitive-scientific approaches to beauty and aesthetic experience. This volume is focused on the analysis of selected aspects of aesthetic experience, especially on methodological problems and aspects of philosophical and scientific research, the question of the complementarity and compatibility of methods, and needs to interdisciplinary and multidisciplinary research. Authors of the chapters are considering about diverse areas of perception of beauty, e.g.: pleasure by face perception; the synchronicity by music; the problems of musical chills; the psychosomatic unity of dance; or the problem of development of aesthetic appreciation.
Contents
The examination of beauty and the problems of methodology - Aesthetic perception in the context of naturalism, art history and contemporary empirical aesthetics - A cognitive neuroscience approach to the explanation and reduction of the problem of musical meaning - Some methodological issues with the interface of neuroaesthetics and philosophy - Brain activity within (beautiful) face perception - What is music and what function does it serve in our lives? Three forms of synchronicity - Cognitive science and the neuroaesthetics of musical chills - Thinking in the flesh - Beauty, science and spirituality - Cognitive studies as an orchestra in search of a symphony of the cognitive aspects of aesthetic experience
