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Full Description
The relationship between the arts has fascinated people for centuries. Discussing the ancient notion of ekphrasis, this study examines the interpenetration of literary and non-literary art. Traditionally, ekphrasis is defined as a rhetorical device for the poetic description of a painting or a sculpture that has been steadily gaining attention in literary studies since the mid-twentieth century. Taking a close look at the works of Don DeLillo, Paul Auster and Tom McCarthy, the author demonstrates how ekphrasis is useful for reading contemporary novels that feature non-representative, conceptual works of art.
Contents
Contents: Ekphrasis - Conceptual ekphrasis - Sanctioning - Conceptual art - Progymnasmata - Gotthold Ephraim Lessing - Leo Spitzer - James A.W. Heffernan - W.J.T. Mitchell - Representation - Don DeLillo - Paul Auster - Tom McCarthy - Pseudo-artistic activity - Performance art - Body art - Land art - Video art - Street art - Intertextuality - Metafiction - Sophie Calle - International Necronautical Society - Authenticity - Inauthenticity - Performativity.



