The Doing of Telling on the Irish Stage (Europäische Hochschulschriften / European University Studies/Publications Universitaires Européenne .93) / Herrero Martí/n, Rosana

The Doing of Telling on the Irish Stage (Europäische Hochschulschriften / European University Studies/Publications Universitaires Européenne .93) （2007. 320 S. 210 mm）

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The Doing of Telling on the Irish Stage (Europäische Hochschulschriften / European University Studies/Publications Universitaires Européenne .93) （2007. 320 S. 210 mm）

Herrero Martí/n, Rosana

ウェブストア価格 ¥25,777（本体¥23,434）
PETER LANG（2007発売）
外貨定価 EUR 104.20
ポイント 234pt

オンデマンド(OD/POD)版です。キャンセルは承れません。

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製本 Paperback:紙装版/ペーパーバック版／ページ数 317 p.
言語 ENG,ENG
商品コード 9783631574508

Description

(Text)
Narrative performance arises as a key concept to understand the fundamental course of transformation and transfiguration undergone by reality on stage in all Irish theatre pieces here under discussion. This study pursues the performative nature of the central threefold axis language-stage-reality and its particular relevance within the idiosyncratic historical and identitarian parameters that have shaped a national theatrical tradition in Ireland. Part I of the book attends to a theoretical approach, aiming at an inclusive analysis of the counter-factual nature of language. The subsequent parts trace the incidence of language and its multiple and complex relationships with reality along a number of theatrical landmarks of Modern and Contemporary Irish Theatre, from Dion Boucicault to Enda Walsh.
(Table of content)
Contents: Narrative performance on the Irish stage - The doing of telling in Modern and Contemporary Irish Theatre - Yeats and the setting-up of a theatre tradition - Beckett's theatre of tellers «dying-on» telling - Brian Friel: the story-teller master of the Irish contemporary stage - Tom Murphy's theatre of narrative at the crossroads - The scaffoldings of Frank McGuinness's theatre: space, self and narration - Sebastian Barry and the grand little narrative of the unconscious - Marina Carr and the dissolution of identity narratives - Two «radical» language performances by Donal O'Kelly and Enda Walsh.
(Author portrait)
The Author: Rosana Herrero Martín holds a Ph.D. in Irish Theatre (University of Salamanca), a M.A. in Anglo-Irish Literature and Drama (University College Dublin), and a B.A. in English and German Philology (University of Salamanca). She is currently lecturing Spanish language at the Instituto Cervantes in Bremen. Her main areas of interest are drama, post-colonial literature, literary translation, bilingualism and migration.