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Full Description
This book examines the popular and critically acclaimed
films of Pixar Animation Studios in their cultural and historical context.
Whether interventionist sheriff dolls liberating oppressed toys (Toy Story)
or exceptionally talented rodents hoping to fulfill their dreams (Ratatouille),
these cinematic texts draw on popular myths and symbols of American culture. As
Pixar films refashion traditional American figures, motifs and narratives for
contemporary audiences, this book looks at their politics - from the frontier
myth in light of traditional gender roles (WALL-E) to the notion of voluntary associations and
neoliberalism (The Incredibles). Through close readings, this volume considers the
aesthetics of digital animation, including voice-acting and the simulation of
camera work, as further mediations of the traditional themes and motifs of
American culture in novel form. Dietmar Meinel explores the ways in which Pixar
films come to reanimate and remediate prominent myths and symbols of American
culture in all their cinematic, ideological and narrative complexity.
Contents
Introduction: Exceptional Animations; The Rise to Popularity: The Pixar Studios and Digital Animation.- Chapter 1; Transnational Aesthetics? The Animation and Mediation of American Culture.- Chapter 2 "You Better Play Nice:" Digital Enchantment and the Performance of Toyness in Toy Story (1995) Fearful Sheriff Dolls and Oblivious Space Ranger Action Figures Stupid, Little, Insignificant Toys.- Chapter 3; An Animated Toast to the Ephemeral: The Multicultural Logic of Late Capitalism in Toy Story 2 (1999).- Chapter 4; Chapter 9; Driving In Circles: The American Puritan Jeremiad in Cars (2006) Narratives of Individual and National Decline.- Chapter 10; Animating a Yet Unimagined America? The Mediation of American Exceptionalism in Toy Story 3 (2010)
