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Description
(Text)
The impact of Nazism on twentieth-century music was immense as evidenced by this volume featuring seventeen essays by a group of internationally recognised scholars. The range of enquiry is extraordinarily wide, covering the issue of "Inner Emigration" during the Third Reich and remigration in the Netherlands after the Second World War, as well as the work of exiled composers such as Korngold, Weill, Weigl, Ullmann, Eisler, Achron, Goldschmidt and Gál. In addition, there are penetrating discussions of the employment of Handel's music in the Jewish Cultural League, Nazi musical censorship in occupied Poland and the fate of émigré musicians and musicologists in wartime Britain. Three chapters detail the musical relationship between Franco's Spain and the Third Reich.
(Table of content)
Erik Levi
Introduction
Albrecht Dümling
What is Internal Exile in Music? The cases of Walter Braunfels,
Heinz Tiessen, Eduard Erdmann and Philipp Jarnach
Lily E. Hirsch
Defining 'Jewish Music' in Nazi Germany. Handel and the
Berlin Jewish Culture League
Joshua S. Walden
'Olden Melodies Return'. Memory in Joseph Achron's Hebrew Melody
Ben Winters
Swearing an Oath. Korngold, Film and the Sound of Resistance?
Magnar Breivik
From Surabaya to Ellis Island. On two versions of Kurt Weill's 'Surabaya-Johnny'
James Parsons
Hanns Eisler's Hollywooder Liederbuch and 'the new stuff of life'
Juliane Brand
Karl Weigl's Final Years, 1938-1949. A Story of Perseverance
Kristof Boucquet
The transformation of Viktor Ullmann's compositional language
Katarzyna Naliwajek-Mazurek
Nazi censorship in Music, Warsaw 1941
Erik Levi and Melina Gehring
Paul Hirsch and Alfred Einstein. The trials and tribulations
of artistic collaboration in exile
Suzanne Snizek
The Abyss and the Berries
Malcolm Miller
Music as Memory. Émigré composers in Britain and their wartime experiences
Florian Scheding
'Problematic Tendencies'. Émigré Composers in London, 1933-1945
Francisco Parralejo Masa
Nazism, Anti-Semitism in the Second Republic Spain (1931-1936)
Gemma Pérez Zalduondo
The Musical Policies of the Third Reich in relation to the
First years of Francoism (1938-1943)
Eva Moreda-Rodríguez
Hispanic-German Music Festivals during the Second World War
Emile Wennekes
'Some of the Jewish musicians are back at their desks'.
A case study in the remigration of European musicians after World War II
The Contributors
Index
(Text)
The impact of Nazism on twentieth-century music was immense as evidenced by this volume featuring seventeen essays by a group of internationally recognised scholars. The range of enquiry is extraordinarily wide, covering the issue of Inner Emigration during the Third Reich and remigration in the Netherlands after the Second World War, as well as the work of exiled composers such as Korngold, Weill, Weigl, Ullmann, Eisler, Achron, Goldschmidt and Gál. In addition, there are penetrating discussions of the employment of Handel s music in the Jewish Cultural League, Nazi musical censorship in occupied Poland and the fate of émigré musicians and musicologists in wartime Britain. Three chapters detail the musical relationship between Franco s Spain and the Third Reich.
(Author portrait)
Erik Levi is Reader in Music and Director of Performance at Royal Holloway, University of London.
