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Description
This interdisciplinary volume examines a practice that was common in the early modern north Alpine region, namely the making of new edition prints, and argues that it was a complex aesthetic strategy of creative appropriation. It focuses on the socioeconomic factors involved in the production and reception of print (re-)inventions and considers their relevance as a space of cultural articulation and a medium of artistic (self-)reflection.
Mariam Hammami und Anna Pawlak, Eberhard Karls Universität Tübingen; Sophie Rüth, Universität Hamburg.


