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Full Description
This book analyses one of the many levels of complexity not readily apparent to the reader of Zola's fiction: the question of the author's family secrets. The novels addressed here present a variety of sub-textual issues highlighting Zola's sexual insecurity and anxiety. Their analysis reveals a mystery related to female sexuality that pervades the narratives of Thérèse Raquin and La Fortune des Rougon, and that is silently transmitted in Madeleine Férat, La Faute de l'Abbé Mouret, La Bête humaine, La Curée, Nana, Le Docteur Pascal and Vérité.
The novels are explored from the standpoint of psychoanalytical criticism, a tool particularly appropriate for examining Zola's language and illuminating the recurrent theme of «the Return of the repressed». Four psychoanalytical theories are adopted: Nicolas Abraham's and Maria Toroks' theories of psychic development (presenting the concept of the phantom) and Sigmund Freud's and Jacques Lacan's theories of infantile sexuality.
Contents
Contents: The Function of the Unconscious in the Selected Novels of Emile Zola - The Death-Drive and the Return of the Repressed in La Fortune des Rougon, Thérèse Raquin and Madeleine Férat - The Function of Dreams in La Faute de l'Abbé Mouret and La Bête humaine - Prostitution and Nineteenth-Century «Female Discourse» in La Curée and Nana - The Connection between Gestation and Heredity in Le Docteur Pascal, or the Secret Exposed - The Nature of Truth in Vérité - Conclusion of Arguments Presented on Zola's Language.



