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Full Description
This collection traces new directions in the study of Thomas Moore (1779-1852) and examines the multiple facets of his complex identity, not only as the foremost Irish poet of his time, but also as a lyricist, satirist, polemicist, patriot and journalist. The range of contributors is interdisciplinary and international, and includes leading scholars of literature, music, history and digital humanities.
The essays collected here present a new assessment of Moore's career and reflect on the future directions for Moore scholars enabled by digital resources and methodologies. They highlight Moore's far-reaching influence on nineteenth-century European Romanticism, his formative participation in Whig political discourse and his central role in the construction of Irish identity from the nineteenth to the twenty-first centuries.
Contents
Contents: Emer Nolan: The Ghost of Thomas Moore - Úna Hunt: My Gentle Harp: The Genesis of the Irish Melodies - Emily Cullen: From the Minstrel Boy to the Blameless Bard: The Play of the Harp in the Irish Melodies - Timothy Keane: Thomas Moore's Address to England - Robert Portsmouth: Thomas Moore, Whig Propaganda and the Demise of Conciliatory Emancipation - Emma Peacocke: Travel Papers: Satire and Circulation in The Fudge Family in Paris - Donatella Abbate Badin: Thomas Moore in Italy - Gabriella Elina Imposti: The Reception of Thomas Moore in Russia during the Romantic Age - K.C. O'Rourke: Thomas Moore, John Stuart Mill, The Times and the Westminster Review - Francesca Benatti: Joining the Press-Gang: Thomas Moore and the Edinburgh Review - Justin Tonra: Googling Thomas Moore.
