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Full Description
This volume is designed as a handbook for interpreting luminescence data and reviews applications in conservation that require robust and accurate methods for molecular analysis and material mapping. Molecular fluorescence and phosphorescence spectroscopy and imaging are well-established techniques that can be applied to the analysis of works of art. In this book, the theoretical aspects and fundamental parameters for data interpretation are presented, along with a review of instrumental techniques and recent developments. Examples of luminescent pigments and materials found in works of art are followed by a section on computational approaches that can aid data interpretation. In addition, numerous case studies on paintings, archaeological materials, stone, and organic materials are presented.
This book is dedicated to the memory of Austin.
Contents
PART 1 - Fundamentals.- Fundamentals of photoluminescence.- Solid-State Photoluminescence in Cultural Heritage: An Exploration of Critical Issues for the Interpretation of Photoluminescence from Solid-State Samples and Painted Surfaces.- PART 2 - Review on Instruments.- Portable instrumentation.- Laboratory instrumentation.- PART 3 - Luminescent materials in CH.- Luminescent Inorganic Pigments Used in Ancient and Modern Times.- Organic Dyes and Lake Pigments.- Fluorescence of binders and varnishes used in paintings.- PART 4 - Computational calculations to support data interpretation.- Modeling Luminescence in Cultural Heritage: Theoretical Insight into the Luminescence of Dyes and Pigments.- PART 5 - Case studies (artwork based).- EEM Fluorescence Spectroscopy of Natural Red and Yellow Organic Colorants in Japanese Woodblock Prints.- Natural Organic Colourants on Medieval Manuscripts by Molecular Fluorescence.- Analysis of Artworks by Handheld Spectrofluorimeter (LEDμSF).- A Review of Ultraviolet Induced Luminescence of Undyed Feathers in Cultural Heritage.- Fluorimetric Method for Quantification of Fungal Growth on Cultural Heritage: A Review.- Fluorescence of pigments in late Nineteenth- to Twentieth-century paintings by Edvard Munch and Gerardo Dottori.



