Nostalgia and Displacement in Contemporary European Cinema

個数:

Nostalgia and Displacement in Contemporary European Cinema

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 153 p.
  • 商品コード 9783032176691

Description

This open access book offers a comprehensive exploration of the intricate interplay between nostalgia and displacement in contemporary European cinema. Through the lens of significant films, it navigates the profound impact of these concepts on storytelling and audience engagement. By examining the portrayal of displaced characters grappling with feelings of longing and belonging, readers are invited to confront universal truths about the human experience, fostering empathy and understanding across cultural boundaries. The chapters delve into the aesthetics and thematic elements of films such as Fatih Akin s The Edge of Heaven, Miguel Gomes Tabu, Salomé Lamas Extinction, Ben Sharrock s Limbo, and Mario Martone s Nostalgia. These works reveal how nostalgia and displacement serve as powerful storytelling devices, enriching narratives and inviting viewers into immersive cinematic experiences. By unraveling how these themes manifest within cinematic narratives, readers gain insights into the cultural, historical, and emotional dimensions of European cinema.

Filmmakers, scholars, students, and enthusiasts of film studies will find this exploration both intellectually stimulating and emotionally rewarding. This study offers new perspectives on the enduring impact of nostalgia and displacement in modern storytelling, shedding light on the evolving landscape of filmmaking in Europe and its relevance in a globalized world.

.- 1 Introduction.- 2 Historical Reflections on Migrant Experiences in European Cinema.- 3 Nostalgia and Displacement in Fatih Akin s The Edge of Heaven.- 4 Reflective Nostalgia in Miguel Gomes s Tabu.- 5 Collective Memory and Nostalgia in Salomé Lamas Extinction.- 6 Restorative Nostalgia in Mario Martone s Nostalgia.- 7 Absurdity and Belonging in Ben Sharrock s Limbo.- 8 Conclusion.- Index.

Tasos Giapoutzis [Yia-pou-tzis] is a filmmaker and Lecturer in Film at the University of Essex, UK. He holds a doctorate in Film by Creative Practice from the University of York (2023). His work as both a researcher and filmmaker centres on the filmmaking process and the aesthetic, spatial, and temporal dimensions of cinema, with a particular focus on memory, nostalgia, place, and displacement. His practice-based research has been published in esteemed journals including Screenworks and the Journal of Anthropological Films. Alongside his academic work, Tasos is an internationally exhibited director and alumnus of the Go Short Talent Campus in Nijmegen, the Talent Development Campus in Cork, and the Reykjavik Talent Lab. His films have been screened at over 100 film festivals worldwide. His feature documentary Quiet Life (2019) premiered nationally at the 21st Thessaloniki Documentary Festival and internationally at the 18th DokuFest in Kosovo. Tasos is currently developing Mnemonic Muse, a feature-length film exploring nostalgia as an affective response to displacement.


最近チェックした商品